Production Sound & Video

Fall 2022

Issue link: https://digital.copcomm.com/i/1474752

Contents of this Issue

Navigation

Page 31 of 59

30 PRODUCTION SOUND & VIDEO – Winter 2022 From an input to an ear. That is the basic idea in regard to monitor mixing on live events. In particular, the live events I mix monitors on include live multi-act TV award shows and special events like the Super Bowl halftime show. This is a unique world to work in since it is not the same band each night like the touring world, although I am fully aware of the challenges of both types of stage. I get along great with most touring Monitor Mixers who come through our award shows. We have worked together for years toward a common goal and it is something for which I am consistently grateful. I can break it down to several main focuses that allow the greatest chance for success. Live Sound and Monitor Mixing by Thomas Pesa

Articles in this issue

Archives of this issue

view archives of Production Sound & Video - Fall 2022