Issue link: https://digital.copcomm.com/i/1474575
T H E Y C L O N E D T Y R O N E | P E R S P E C T I V E 1 0 5 B remotely. Runaway production has sometimes made much of preproduction a remote business. I have sometimes prepped a whole movie in Los ngeles that never shot a single frame there. ery quickly, I got into gear developing concept sketches for the environments that would be built from the ground up and began to address location work in tlanta for an appropriate time. The idea that the pandemic would linger for another fi fteen months was not something anyone predicted. Much has been written about the hurdles and COID protocols, so I won't bore you with the details, but su ce it to say, we felt like guinea pigs heading off into this strange new world. DOOR PIVOT S2 OG FOUNTAINE'S OFFICE - SECTION 2 1/2"=1'-0" 02 C L C L C DOOR WALL : 10' DOOR WALL : 10' 2'-5" 2'-5" 6" 6" 6" 9" 9" 9" 1'-2" 1'-2" HALLWAY : 10' HALLWAY : 10' C L C L C NO CEILING 9' 9' 9' 19'-4" 19'-4" CLEAR OPENING : 8'-10" CLEAR OPENING : 8'-10" CLEAR OPENING : 8'-10" (TBD) (TBD) METAL FINS : 4'-10" METAL FINS : 4'-10" (TBD) (TBD) DOOR PIVOT LIGHT 1'-2" 1'-2" 4" 4" 4" 4" 4" 4" 4" 3'-6" 3'-6" DOOR OPENING : 8' DOOR OPENING : 8' 2' 2' 2' THRESHOLD: 6" 9' 9' 9' OPEN SPACING TBD 1'-6" 1'-6" 4" 4" 4" 4" 4" 4" 4" 4" 4" 9'-2 9'-2 1 2 " 4" 4" 4" 4" 11 11 11 1 2 " 1"CHAMFERED 1"CHAMFERED 1"CHAMFERED 1"CHAMFERED 1"CHAMFERED EDGE CLONE TUBE : 7'-8 CLONE TUBE : 7'-8 1 2 " CENTER OF TUBE 2' O.D. 2' O.D. 2' O.D. 2' O.D. 9" 9" 9" 1'-2 1'-2 1 2 " 6'-6 6'-6 3 16 " DOOR PULL : 5' ( DOOR PULL : 5' (TBD) 1'-9" 1'-9" METAL FINS : 4'-10" METAL FINS : 4'-10" (TBD) (TBD) SPACING TBD WILD WILD EQ EQ EQ EQ 1"CHAMFERED 1"CHAMFERED 1"CHAMFERED 1"CHAMFERED 1"CHAMFERED EDGE TUBE : 6' TUBE : 6' 3'-5" 3'-5" 3'-5" CLONE TUBE DETAIL: SEE SHEET#04.2 WILD WILD 2' 2' 2' 17' 17' 17' 13' 13' 13' 13' 2' 2' 2' 1' 1' 1' 3' 3' 3' 4'-3" 4'-3" 4'-3" 4'-3" 4'-3" 4'-3" 8'-6" 8'-6" 4'-6 4'-6 3 16 " 3'-5" 3'-5" 3'-5" 3'-2" 3'-2" 3'-6" 3'-6" 3'-6" 3'-6" 3'-6" 3'-6" 6" 6" 6" OFFICE : 35'-7 OFFICE : 35'-7 3 16 " 14' 14' 5' 5' 5' 5' 5' 1'-4" 1'-4" WOOD BENCH WOOD BENCH 4" 4" 4" 4" 4" 4" 4" 4" 4" 4" ENTRY DOOR DETAIL: SEE SHEET#06.1, 06.2 5' 5' 5' 3'-6" 3'-6" 3'-6" 3'-6" 3'-6" 3'-6" 3'-6" 3'-6" 3'-6" 3'-6" 3'-6" 3'-6" 4'-3" 4'-3" 4'-3" 4'-3" 4'-3" 4'-3" 12' 12' 2' 2' 2' METAL FINS 11" PILASTER PILASTER 2'-8" METAL FINS 11" PILASTER PILASTER 2'-8" 52'-4" 52'-4" REEL STAND (TBD) LINE OF WALL MOUNT MONITOR WALL MOUNT MONITOR WALL MOUNT MONITOR 3'-10" 3'-10" 1'-2" 1'-2" 9" 9" HEADER : 3' HEADER : 3' METAL FINS : 9' METAL FINS : 9' 13'-3" 13'-3" 1'-6" TYP. TYP. TYP. TYP. GLASS CYLINDER W/BRASS RING@TOP AND BOTTOM, BOTTOM LIT LED BY SET DEC. S1 OG FOUNTAINE'S OFFICE - SECTION 1 1/2"=1'-0" 02 3'-6" 3'-6" BEAM - 2 1'-6" 3'-6" 3'-6" BEAM - 1 1'-6" CONCRETE BEAM 3' 14' 14' CEILING CENTER PIECE (CONCRETE) : 17' CEILING CENTER PIECE (CONCRETE) : 17' CEILING CENTER PIECE (CONCRETE) : 17' 3'-3" 3'-3" 4' 4' 4' 10' 10' 1' 1' 1' 3' 3' 3' 6" 6" 6" 2' 2' 2' 2" 2" 5'-3" 5'-3" 13' 13' 13' 3'-3" 3'-3" 5'-3" 5'-3" 1'-2" 1'-2" 9" 9" 13'-3" 13'-3" 3'-6" 3'-6" BEAM - 2 1'-6" 3'-6" 3'-6" BEAM - 1 1'-6" 10'-6" 10'-6" 3' 3' 3' 2' 2' 2' 1'-8"TYP. 1'-8"TYP. 1 1 2 " 2'-6" 2'-6" 2'-4 2'-4 1 2 " 2' 2' 2' METAL CABINET, N/P DOORS WOOD SHELVING WOOD BACK WALL WOOD BACK WALL METAL HEADER METAL HEADER METAL HEADER CONCRETE BEAM 3' *ALL CONCRETE EDGE *ALL CONCRETE EDGE 1"CHAMFER 1"CHAMFER 3'-6" 3'-6" 3'-6" 3'-6" 3'-6" 3'-6" OPEN OPEN OPEN OPEN OPEN OPEN OPEN OPEN 4'-3" 4'-3" 4'-3" 4'-3" 4'-3" 4'-3" 6" 6" 6" 6" 6" 6" 6" 6" 6" 6" 6" 8" 8" 8" 6" 6" 6" 6" LIGHT TROUGH 2'-8" 2'-8" A. OG FONTAINE'S OFFICE. WHERE FONTAINE (JOHN BOYEGA) CONFRONTS THE MAIN ARCHITECT BEHIND THE CLONING OPERATION IN A BIG AND SURPRISING REVEAL. ILLUSTRATION BY RAJ RIHAL. B. OG FONTAINE'S OFFICE. SECTION VIEWS BY MAYUMI VALENTINE. ut fi rst, a little bit about the movie. ou will not meet Tyrone ohn oyega in They Cloned Tyrone until the end of the fi lm. ut you will meet Fontaine ohn oyega, a drug dealer, living the average life of an innercity drug dealer who protects his territory from other rivals. Of course, he hangs out with hookers, pimps and all the colorful folk one might encounter in "the hood." The story kicks off with Fontaine confronting Isaac, a rival drug dealer, which leads to violence, which leads to Fontaine's murder. Nevertheless, Fontaine wakes up the next morning as if he had simply dreamed it and in the twilight of