Issue link: https://digital.copcomm.com/i/1474575
where Eleven lived her formative years. A few tedious days with a pencil and paper resulted in the psychedelically monotonous labyrinth of hallways and cells that allowed the show to practically achieve all the long disorienting shots of destruction, confusion and revelation that were, for me, the highlight of the season. Arguably the pièce de résistance of the whole season is the Rainbow Room itself. Deep research into institutional spaces designed for children led to the materials selections and custom-built, carpet wrapped furniture elements. I especially love the rainbow mural, the way it starts out stacked in one color order and winds up fl ipped (3) NEW AS EXTRUDED ALUMINUM THRESHOLDS FLUSH WITH TILE ALL SINGLE DOORS 10.05.20 ELEVEN'S ROOM (2) GUILLOTINE WILD WALL TO FLY APPROX. 6'-6" ADD STRUCTURAL COLUMN TO SUPPORT CROSS BEAM FOR WILD WALL WILD METAL THRESHOLD TO COVER DOOR SUPPORT 10.06.20 8'-0" 3 1/2" 3 1/2" A.1 A.1 2 c.1 c.1 3 b.1 b.1 4 b.2 b.2 4 b.3 4 d.4 4 d.6 d.6 4 b.6 b.6 b.6 4 b.4 4 c.2 c.2 3 d.1 4 d.2 4 d.3 4 A.3 A.3 A.3 A.3 2 A.4 A.4 A.4 A.4 2 c.3 c.3 3 c.4 c.4 3 A.2 A.2 A.2 A.2 A.2 A.2 2 d.7 3 � � � � � � RAI � � � � � � OBS � RAINBOW ROOM RAINBOW ROOM RAINBOW ROOM RAINBOW ROOM RAINBOW ROOM RAINBOW ROOM RAINBOW ROOM RAINBOW ROOM RAINBOW ROOM RAINBOW ROOM RAINBOW ROOM RAINBOW ROOM RAINBOW ROOM OBSERVATION ROOM POTENTIAL INFIRMARY POTENTIAL INFIRMARY TBD IN PROGRESS TBD IN PROGRESS 3'-0" 2'-8" 2'-4" 3'-0" 3'-0" 2'-8" 2'-4" 3'-0" 2'-8" 2'-4" 3'-0" 5'-6" 5'-6" 3'-0" 5'-6" 3'-0" 3'-0" 5'-6" 3'-0" 7'-6" 7'-6" 7'-6" 7'-6" 28'-6" 28'-6" ROOM# TBD ROOM# TBD ROOM# TBD ROOM# TBD ROOM# TBD ROOM# TBD ROOM# TBD ROOM# TBD A C B D C D C D C b 4 D 4 A 2 C 2 2'x2' lighting positions 2'x2' lighting positions 2'x2' lighting positions 2'x2' lighting positions 2'x2' lighting positions 2'x2' lighting positions 2'x2' lighting positions 2'x2' lighting positions 2'x2' lighting positions 2'x2' lighting positions 2'x2' lighting positions 2'x2' lighting positions WILD WILD WILD WILD WILD WILD WILD WILD WILD WILD AT PANEL SEAMS WILD =DUPLEX OUTLET PER SET DEC AND LIGHTING MOUNT WITHIN 3RD TILE FROM FLOOR 8'-0" 3 1/2" HEADER, SEE RCP HEADER, SEE RCP HEADER, SEE RCP HEADER, SEE RCP HEADER, SEE RCP HEADER, SEE RCP HEADER, SEE RCP SINGLE SIDED ROOM# TBD ROOM# TBD ROOM# TBD ROOM# TBD SINGLE SIDED SINGLE SIDED SINGLE SIDED SINGLE SIDED SINGLE SIDED SINGLE SIDED SINGLE SIDED WINDOWLESS ROOM WILD WILD WILD APPROX COLUMN POSITION APPROX COLUMN POSITION APPROX COLUMN POSITION FINISH AS WALL PANEL FINISH AS TYP. DOOR APPEAR PRACTICAL POTENTIAL ROOM DIVIDER CURTAIN BREAK ON VERT. TILE LINE APPROX. HIDDEN WILD WALL STRUCTURAL COLUMN POSITION BREAK ON VERT. TILE LINE APPROX. HIDDEN WILD WALL STRUCTURAL COLUMN POSITION PLANT ON HDWE PLANT ON HDWE PLANT ON HDWE BOTH DOORS BOTH DOORS BOTH DOORS 1 DTl 5 CORNER doors SET# 171 FOR ADDITION 61'-1" 8'-0" 8'-0" 8'-0" 8'-0" 8'-0" 8'-0" 14'-0" 4'-0" 7'-6" 6'-0" 8'-0" 8'-0" 8'-0" 17'-1" 9" 6'-0" 25'-7" 7'-6" 7'-6" 7'-6" 25'-7" 33'-10" 33'-10" 6'-0" 7'-6" 7'-6" 7'-6" 7'-6" 7'-6" 7'-6" 18'-7" 18'-7" 7'-6" 16'-6" 7'-6" 14'-0" 13'-0" 13'-0" 13'-0" 13'-0" 6'-11" 6'-11" 8'-0" 8'-0" 16'-6" 3'-0" 3'-0" 3'-0" 6'-0" 3'-0" 1'-6" 12'-0" 18'-6" 18'-6" 6" 6" 2'-6" 3'-0" 7'-0" 3'-0" 5'-0" 3'-0" 5'-6" 3'-0" 5'-6" 3'-0" 3'-1" 8'-2" 3'-0" 8'-5" 6'-0" 6'-0" 17'-5" 3'-0" 3'-0" 5'-6" 5'-6" 3'-0" 2'-8" 6" 6" 6" 6'-0" 9" 4'-0" 2'-0" 2'-0" 2'-8" 2'-8" 8'-0" 8'-0" 8'-0" 8'-0" 8'-6" 8'-6" 5'-6" 5'-6" 3'-6" 1'-6" 1'-6" 1'-6" 3'-0" 3'-0" 5'-11" 6'-8" 6'-8" 5'-11" 5'-11" 3'-0" 3'-0" 1'-6" 1'-6" 1'-6" 1'-6" 1'-6" 1'-6" 1'-6" 27'-6" 10'-6" 10'-6" 7'-6" 7'-6" 6'-0" 6'-0" 10'-6" 10'-6" 25'-2" 6" 6" 9'-8" 6'-0" 6" 18'-0" 15'-6" 3'-0" 3'-0" 3'-0" 3'-0" 6'-0" 6'-0" 6" 6" 6" 1'-4" 1'-5" 8 1/2" 8 1/2" 8 1/2" 8" 1'-7" 1'-7" 18'-0" 6'-0" 4'-0" LOCATION MATCH 'DUCT' COVER W/ VENTS CENTER ON WINDOW 6' X 4' 1-6" H. 3 1/2" 3 1/2" 1'-7" 17'-0" 17'-0" 6'-0" 7'-1" 10" 10" 10" 3'-0" 3'-2" 7'-0" 4'-7" 9'-11" 3'-0" 10" 10" 10" 10" 10" 5'-2" 5'-2" 3'-0" 4'-7" 4'-5" 13'-5" 13'-5" 25'-0" 9" 3'-8" 4'-0" 4'-0" 8" THICK WALL 8" THICK WALL TO CONCEAL COLUMN TO CONCEAL COLUMN 8" THICK WALL THICK WALL THICK WALL TO CONCEAL COLUMN TO CONCEAL COLUMN TO CONCEAL COLUMN 43'-7" 43'-7" 2'-1/2" 2'-1/2" 1'-6" 7" 7" 8'-6" 8'-6" 8'-6" 8'-6" 8'-6" 5'-8" 6'-6" 4 upside down after it stretches across the fl oor in stripes of colored VCT tiles and continues back up and around the wall. The ceiling, though, with its coff ered grid of fl uorescent lighting, inspired, oddly enough, by the administrative o ces of a high school I scouted in New Mexico, was maybe the best money the show has ever spent. Question Three: Will Eleven ever get her powers back? That question is answered defi nitively in the depths of a missile silo. After exhaustive research into the various types of American missile silos, the Art Department decided that a mashup of Atlas F. HAWKINS LAB. GROUND PLAN DRAWN BY JOHNNY THIGPEN. G. HAWKINS LAB RAINBOW ROOM (ON STAGE IN ATLANTA). PLATE SHOT. H. NUMBER ONE AND ELEVEN FACE OFF IN THE RAINBOW ROOM. PRODUCTION STILL. F G H