Issue link: https://digital.copcomm.com/i/1469840
12 S U M M E R 2 0 2 2 I C A S Q U A R T E R L Y COLLABORATORS David Bondelevitch CAS MPSE is a re-recording mixer and educator who has won two Emmy Awards and two MPSE Golden Reel Awards (and has been nominated 22 times). He is Past President and Board member of the Motion Picture Sound Editors. David was the Secretary of the Cinema Audio Society 2012- 2019, Vice President 2007 -2011, and has been on the Board of Directors since 2006. He has been writing for the CAS Quarterly magazine since 2006 and was co-editor in 2007. David is an associate professor at CU Denver, where he teaches recording arts. Devendra Cleary CAS is a Los Angeles-based production sound mixer who who just completed the Starz limited series Gaslit. He is the Vice President of I.A.T.S.E. Local 695 and a frequent contributor to the CAS Quarterly. He joined as an Associate member in 1999 and became a full member in 2008. G. John Garrett CAS is a production sound mixer living in Boston, MA. He began mixing live music around 1970 and learned acoustics, signal flow, and recording technology along the way. He began in the industry booming for Boulder mixer Garrett Collenberger and moved into mixing documentaries, commercials, and feature films after moving to Boston in 1984. He then expanded his RF training by working with broadcast engineers and now also consults with a broadcast tech company in the area. CAS Associate member Sam Casas has been working as a re-recording mixer and sound designer at Lime Studios in Santa Monica since 2003. He has found a successful niche mixing television commercials for Global and National brands such as Adidas, Visa, QuickBooks, and Postmates, to name a few. In addition to his commercial work at Lime Studios, he finds time to mix the occasional independent feature such as LUPE for HBO Max, various shorts, and music videos for artist such as H.E.R. and French Montana. Connecting with other CAS members while writing articles for the CAS Quarterly has been especially educational and rewarding. commercials for Global and National brands Aaron "Cujo" Cooley CAS is an Atlanta- based mixer who worked in FOH mixing for nearly 20 years, entering the film world in 2010. There, he quickly landed in the sound department. Good fortune, good work ethics, and good relationships with local leaders helped advance his career, and Cujo now enjoys life and work as a full-time PSM. Cujo's specialties include large-format shows Good fortune, good work ethics, and good Adam Howell CAS Upon earning a recording engineer degree from Full Sail, Adam relocated to L.A. in 2002. After an internship at Hans Zimmer's studio and working in the music industry, Adam ventured into post-production audio before finding his passion in the field as a production sound mixer. He has mixed and supervised over 100 unscripted shows and feels fortunate to have worked on so many diverse projects with creative and talented individuals. When not pressing record, Adam enjoys playing the guitar, Beatles trivia, documentaries, hiking, and spending time with his wife and son. Peter Kelsey CAS started his career in sound at the illustrious independent recording studio, Trident Studios, where all the early Elton John and David Bowie albums were recorded and was part of the mixing team for Elton John's album Goodbye Yellow Brick Road. After moving to the U.S., he did a lot of work as a scoring mixer before moving into post- production sound. Peter won sound mixing Emmys for Ally McBeal and Boston Legal. He is currently working on Speechless, The Chi, Arrested Development, and Dead to Me. Peter has a degree in mathematics, a black belt in tae kwon do and loves to do public speaking. recorded and was part of the mixing team for Millar Montgomery CAS is a Vancouver, BC-based production sound mixer who is currently mixing Season 2 of the Netflix show Firefly Lane. Millar's experience goes back to 2002, when he enrolled in a post-production audio course at the Vancouver Film School. He then began working on sets in the sound department in the spring of 2003. Since that time, he has done sound on productions of all shapes and sizes from documentary to reality to features and has logged a lot of days with either a sound bag over his shoulder, boom pole in hand, or fingers on the faders. Mixing scripted television drama is where Millar spends his working time these days when he is not with his wife and three kids. Patrick Spain CAS began his career in the scoring world at Signet Sound in 2001 working on varied lms like Cars and Eternal Sunshine of the Spotless Mind. In 2006, he was hired at the venerable Ocean Way Recording (now renamed United Recording), this time working on everything from Dr. Dre productions, to John Mayer records, to the score for Avatar. In 2011, Patrick was hired as a mix tech at Todd-AO Lantana stages in Santa Monica. He worked on shows as different as the run-and-gun feature Lone Survivor to HBO's Girls to the music-centric hit Nashville. Since working as a freelance re-recording mixer, Patrick has mixed for clients such as Net ix, Disney, WB, ABC, and DreamWorks. Daniel Vasquez Velez CAS is a re-recording mixer, sound editor, and sound designer from Colombia. He studied recording arts and earned a master's degree in audio post-production in London, UK, where he started his career in sound. He is the co-founder of Clap Studios, a sound post-production facility in Medellin, Colombia, and SoundNode in England. Daniel has one nomination at the Venezuelan Film Awards for Being Impossible. He has been a member of the Colombian Film Academy since 2015; Audio Engineering Society (as part of the section committee); Colombian Cinema Sound Association (ADSC); and is part of his Regional Film Council. Daniel shares his passion for sound with aviation, as he's also a private pilot. sound. He is the co-founder of Clap Studios, enrolled in a post-production audio course at with high cast/track counts, music and performance-based shows, and staying on top of the leading audio and RF technology. Cujo is an active member of IATSE Local 695 in Los Angeles, IATSE Local 479 in Atlanta, and the CAS. He is the CEO of RF Systems Consultants, specializing in RF management and system analysis for film and TV, and was the former Head of Audio Department at Tyler Perry Studios. Pastimes include beekeeping, woodworking, small farming, good cigars, Belgian Malinois, and spending time with family.