Issue link: https://digital.copcomm.com/i/1469328
THE ARTISAN SUMMER 2022 • 49 was very refreshing. e actors were also empowered to go all out and prepare for their roles without any constraints. "e talented and beautiful Juno Temple completely transformed.'' Renée Vaca: "I loved the idea of having her essence scream Goldie Hawn. Every day I wrapped her gorgeous long curly locks in a wig cap and then she was o to make-up. Once Katy was done with her, Juno was back for the application of her custom lace front wig. I was inspired daily by Juno's fabulous wardrobe, and changed hair styles based on what she was wearing for the scene. One of the great parts of collaborating with Juno is that she will try anything! Nothing is o limits. We created this backstory in which Bettye, a divorcee, didn't have a lot of money. She would use ribbons, the same clips multiple times, headbands, and scarfs. She didn't have an endless supply of extras and "Bettye" didn't go to the salon. She doesn't have an over-the-top overly designed hair look. It's just real, the eortless- ness of the period, in which I see the beauty. Free-owing hair, to playful updos, all the way to an Oscar look." Katy Fray: "ey say I met this amazing person and I will never forget the day we met,'' Juno was such an incredible person and Bettye was a fun character to develop. From Brigitte Bardot to Goldie Hawn, there were so many references and iconic ideas for her charter. She is young, cute and ready to work in Hollywood! Her look was simple, using the late '60s Vogue and thousands of period reference photos. We made a so and 'real looking' period make-up for her. She is so beautiful inside and out and made developing her look an absolute dream." "'You got brains … and you got the balls! … try using both." —Robert Evans Matthew Goode's character leapt o the page and onto the screen in his amazing portrayal of the iconic Robert Evans. At the pre- miere screening of the series, his character delighted and humored the audience. As an English actor—taking on a titan of industry in Hollywood's historical elite—was incredible and not an easy task. Katy Fray: "Trying to create a character with Matthew was the most fun—the 'over-tanned' Robert Evans! He was a wild man with a lot of stories! If you've seen e Kid Stays in the Picture, you know what I mean! We used a mix of tanning shops, a lot of painting and sealing. Emphasized his eyebrow shape, and maintained this look throughout, with a few crazy drug bender nights, making him look exhausted from all the parties and the toll it took on his body." Renée Vaca: "Always a pleasure working with the talented Mr. Goode! Mornings were lled with intellectual conversation and many laughs! He's blessed with amazingly textured hair which was grown out, cut to the period, and beautifully connected all the ele- ments to fully embody Bob Evans."

