JOHN: We ran loop systems all around the place, I
remember that. We did silent playback so we could
capture other things going on; people crashing into each
other and stuff like that.
TOM: And I had separate elements for the instruments.
I had a guitar track and a bass track. [Music editor]
Jennifer Dunnington's contribution to this film was
amazing, musically. Again, one of the issues we always
face is they keep changing the picture. So, obviously,
when they make a picture change, that's going to affect
the music. And that's probably the most difficult aspect
of making those picture changes. What do you do with
a score that's been composed and performed to one
picture and then suddenly that picture is changed? It's
shorter or longer and Jennifer is just a wizard at making
that stuff work. It was a real blessing to have her on this
job because that kind of thing happened a lot.
I hope you have enjoyed this little tease. I
encourage you to watch the whole
conversation at:
https://cinemaaudiosociety.org/cas-the-sounding
-board-v1-0/#beyond
Tom Fleischman CAS – Re-recording Mixer John Midgley CAS – Production Mixer
Marko Costanzo – Foley Artist George A. Lara CAS – Foley Mixer
Peter Albrechtsen CAS MPSE
Moderator
