Issue link: https://digital.copcomm.com/i/1449234
Julien lives in a fabulous ribeca loft, fi lmed on location because a studio set couldn't compete with the real thing. he views could not be equaled on stage. he oortoceiling windows give the space incredible depth One can feel the power and wealth in the soaring views of the city. he loft's palette is soft whites and grays, from the furniture to the chandeliers. There are also characters who live in a West illage townhouse or a ower building. hese are the young people with billions of dollars, and it's very empowering for them to curate their homes with Set Designers' help, of course. We can see Zoya creating her own, smaller space over time. She moves from Bu alo into her grandmother's house, where everything is warmer, homier and more traditional than the other characters' grand apartments. She must fi t herself into this new home full of grandmother's memories, but her bedroom gradually fi lls up with things that make the space her own. And then there is the school that the series is all about. It's a place where everything happens. It's the core of the series. o honor the original series, the production decided to use the same exterior and redesign the interior, making sure that the place is believable, realistic, and in sync with the scripts. Marissa and second key Set Designer Jeremy Rosenstein did their study of the location and a detailed research of architecture to create our school. We loved the idea of an inner courtyard to see through A B D C