M A R C H / A P R I L 2 0 2 2 | P E R S P E C T I V E 2 1
A D G L I F E T I M E
A C H I E V E M E N T AWA R D
A N N H A R R I S
A D G L I F E T I M E
A C H I E V E M E N T AWA R D
A N N H A R R I S
A. ANN AT WORK ON THE
GENERAL'S DAUGHTER.
B. SIGN DETAIL FROM
HEROES.
C-E. SET PHOTOS FROM
LIFE AS A HOUSE.
F. SITE PLAN FOR LIFE AS A
HOUSE.
John introduced her to the Stephen Cannell
company, where she found employment as both
a Set Designer and Art Director on series like The
Greatest American Hero, Hunter, Hardcastle and
McCormick and The A-Team.
Production Designer Dennis Washington was
also a key mentor, who Ann worked with on The
Net, The General's Daughter, The Fugitive, 13 Days,
Dante's Peak and Life as a House. Among the many
other feature fi lms on which Harris worked as
a Set Designer are Someone to Watch Over Me,
Edward Scissorhands, Father of the Bride, Sister Act,
Schindler's List, Casino, The Last Samurai and We
Bought a Zoo.
C
D E
A B
F
