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J A N U A R Y / F E B R U A R Y 2 0 2 2 | P E R S P E C T I V E 1 5 Jordan Peele's Us, Cara transitioned into designing. Her shared passion with MonkeyPaw Films for heightened visuals and elevated aesthetics led to her opportunity to work as Candyman's Production Designer with director Nia DaCosta. Cara is currently collaborating again with Nia DaCosta as the Production Designer for her MCU directing debut, The Marvels—a follow-up to Captain Marvel, featuring a lineup of female superheroes being shot in ondon. R O R Y C H E Y N E is a Toronto-based Production Designer whose work can be seen on Hannibal, American Gods and Locke & Key. His most recent project is the highly anticipated new T scifi series Foundation for Apple TV. Rory has worked on several projects outside of the film industry, including a key role in the concept design for multiple stages, as well as the overall creative look for World Youth Day. He also led a design team in creating and executing trade show exhibits for the Green Living Show. Rory is a graduate of the prestigious Ontario College of Art and Design with a degree in environmental design. G U Y H E N D R I X D YA S is a two-time Academy Award-nominated British American Production Designer, and the recipient of a BAFTA Award for Best Production Design for his work on Inception. Guy is a graduate from the Chelsea School of Art and has a master's degree in industrial design from the Royal College of Art in London. Dyas has been the Production Designer for directors such as Steven Spielberg, Christopher Nolan, Ang Lee, Terry Gilliam, Michael Mann and Danny Boyle. Spencer marks the second collaboration between director Pablo Larrain and Guy Hendrix Dyas. C O N T R I B U T O R S W I L L I A M A R N O L D made his debut as a Production Designer on the feature film Mo' Money. His most recent production design credits include the eti horror hit There's Someone Inside Your House; HBO Max's Seth Rogen comedy An American Pickle; George Tillman, Jr.'s The Hate U Give; The Edge of Seventeen; Dirty Grandpa; The Perfect Guy; Let's Be Cops; Lovelace and the hit American Reunion, the fourth installment of the American Pie franchise. Arnold also designed for director Paul Weitz on both Little Fockers and Cirque du Freak: The Vampire's Assistant. His previous collaborations with Weitz also include American Dreamz and In Good Company. His other feature Production Design credits include Magnolia and Punch-Drunk Love, both for director Paul Thomas Anderson, as well as Confidence, Shopgirl, Last Holiday and Imagine That. Arnold studied theater and design in his native state of Rhode Island before moving to Chicago to pursue a career in the theater. While there, Arnold began working on motion pictures, eventually as an Art irector on such feature films as Music Box, Losing Isaiah, The Bridges of Madison County, Primal Fear and Snow Falling on Cedars. Since moving to Los Angeles, his Art Direction credits have also included L.A. Confidential and Pleasantville, both of which garnered Academy Award nominations for Best Art Direction. C A R A B R O W E R deeloped a loe for film while growing up in rural Kentucky. Surreal and otherworldly places were lived vicariously through the movie screen. She later studied Production Design at The National Film School in the UK, returning to the US to learn her craft in the Art Department. Along the way, Cara has had the honor of working with some of her filmmaking heroesaid Lynch (Twin Peaks, The Return), Joel and Ethan Coen (Hail, Caesar!) and David Fincher (House of Cards, Gone Girl, Justin Timberlake Ft. Jay-Z: Suit & Tie). As an Art Director, Cara spent several years working with Production Designer Ruth De Jong —a collaboration that she cherishes immensely, producing some of her faorite filmmaking experiences and also a close friendship. Following