Issue link: https://digital.copcomm.com/i/1438629
liedin and the characters are settled. Theyre using solar power for light, and makeshift solar cookers and smokers for their food, raising honeybees and drinking collected water from the creek. Resources are shared: They're living communally in a system without hierarchy and all the resourceful details were particularly fun to design. With the exception of the interior prison set, Marrisville was largely a location project, but it's probably my favourite collection of sets in the show because the world feels so cohesive and offers a glimpse of hope for the future. Art Imitates Life Tackling the volume of detailed and largescale sets on Y was a behemoth challenge, particularly during COVID, but it's not every day that such a rich and stimulating project presents itself. I worked on the show away from home for nearly two years, immersed in the Y world with my COVID bubble of mostly female collaborators. I feel like we're forever bonded by making this unique show, while living through our own very real event, in a situation where in many ways, art really does imitate life. ADG E. MARRISVILLE PRISON. ILLUSTRATION BY ANDY LO USING RHINO, ENSCAPE AND PHOTOSHOP. F. MARRISVILLE SATURDAY NIGHT PARTY. ILLUSTRATION BY ANDY LO. G. YORICK AT THE MARRISVILLE PARTY SHOT ON LOCATION IN SCHOMBERG, ONTARIO. PRODUCTION STILL. H. SONIA'S HOUSE. INTERIOR SHOT ON LOCATION IN CHELTENHAM, ONTARIO.PRODUCTION STILL. I. MARRISVILLE STREET. PRODUCTION STILL. Alexandra Schaller, Production Designer Christopher Morris, Super vising Art Director Joyce McPherson, Evan Webber, Ryan Halpenny, Art Directors Andy Lo, Amy Brauer, Kardi Wong, Russell Moore, Set Designers Christian Huffman, John MacLeod, Stephanie Wyman, Jess Sheridan, Graphic Artists Rosalie Board, Set Decorator E F G H I