CDG - The Costume Designer

"I a ep lo gra i t m," Adina Mills adinamills adinamill.com nabashedl large and bold, et organicall orldl, Adina Mills eelr is striking, oneofakind earable art. She be gan making eelr solel to add to her on stle using bead ing and ire raing. I as introduced to the cla blend material I no use, she eclaims, and it as a game chang er inall, a medium that ould suort the large stones, crstals, and found obects she had collected for ears into hat is no the signature stle of all her handsculted and ainted creations. Mills ticall chooses the stones and crstals, then allos the shae to form organicall around them. Its hard to elain, she sas. It ust sort of os from m soul and out through m ngers er insiration is highl sarked b the reuvenating vibrations of nature, but admits she is also lit u b Art ouveau, Art Deco, Brutalist, B Bonnie iar and Stac Ellen ich Adina Mills Adina Mills Adina Mills Adina Mills nabashedl large and bold, et organicall orldl, Adina nabashedl large and bold, et organicall orldl, Adina Mills eelr is striking, oneofakind earable art. She be Mills eelr is striking, oneofakind earable art. She be hen a closeu lls the screen, sometimes e elr tells the stor. A atch, a necklace, ith a hint of ash or glamour, eelr can become an imortant signi er of character. e soke ith some talented niche eelers hose individualit and ourne led them to create ieces that leave an indelible imression on audiences and are as eressive onscreen as the ersonalities ho created them. "I a ep lo "I a ep lo gra i t m," "I a ep lo gra i t m," "I a ep lo "I a ep lo gra i t m," "I a ep lo hen a closeu lls the screen, sometimes e hen a closeu lls the screen, sometimes e hen a closeu lls the screen, sometimes e hen a closeu lls the screen, sometimes e hen a closeu lls the screen, sometimes e hen a closeu lls the screen, sometimes e elr tells the stor. A atch, a necklace, ith a elr tells the stor. A atch, a necklace, ith a elr tells the stor. A atch, a necklace, ith a elr tells the stor. A atch, a necklace, ith a elr tells the stor. A atch, a necklace, ith a elr tells the stor. A atch, a necklace, ith a hint of ash or glamour, eelr can become an hint of ash or glamour, eelr can become an hint of ash or glamour, eelr can become an hint of ash or glamour, eelr can become an hint of ash or glamour, eelr can become an hint of ash or glamour, eelr can become an hint of ash or glamour, eelr can become an imortant signi er of character. e soke ith imortant signi er of character. e soke ith imortant signi er of character. e soke ith imortant signi er of character. e soke ith imortant signi er of character. e soke ith imortant signi er of character. e soke ith imortant signi er of character. e soke ith some talented niche eelers hose individualit some talented niche eelers hose individualit some talented niche eelers hose individualit some talented niche eelers hose individualit some talented niche eelers hose individualit some talented niche eelers hose individualit and ourne led them to create ieces that leave and ourne led them to create ieces that leave and ourne led them to create ieces that leave and ourne led them to create ieces that leave and ourne led them to create ieces that leave and ourne led them to create ieces that leave and ourne led them to create ieces that leave an indelible imression on audiences and are an indelible imression on audiences and are an indelible imression on audiences and are an indelible imression on audiences and are an indelible imression on audiences and are an indelible imression on audiences and are an indelible imression on audiences and are as eressive onscreen as the ersonalities as eressive onscreen as the ersonalities as eressive onscreen as the ersonalities as eressive onscreen as the ersonalities as eressive onscreen as the ersonalities as eressive onscreen as the ersonalities Biules biules As a romoter and D in e ork Cit, ules im be gan designing eelr for herself and her coven of nightlife friends in the earl aughts, handmak ing graffi ti namelates in contrast to the Se and the Cit Carrie necklace. A magazine editor came to her D booth and asked if she could make one for Gen Ste fani for the cover of Luck magazine. rom there she launched Biules and built a donton Manhattan emire of folloers. She shares, The sace beteen haute cou ture and street aesthetic is a broad and idllic lace to de sign and tell stories that high light human eerience. "T space b w• n • e c• tu - € a‚ ƒ „ c... MidCentur, and the 0s. I have a dee love of graffi ti as an art form, she notes, and so much of m aint aesthetic is in sired from the energ of that orld. She sold her eelr at ea markets on eekends, then acked u her crstals and eelrmaking gear to hit the road in a motorhome, selling her eelr across the countr. ine months later her arrior goddess eelr reall took o . After almost ve ears on the road, the increasing size of her business forced her to settle don. ltimatel she ended u in oshua Tree, California. M amazing motorhome adventures alloed me to eand m creativit and subseuentl m business, and laid the founda tion for here I am toda ith m art and eelr. Cry€ ˆ izŠ C ract‹ 56 H M DG W

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