22 W I N T E R 2 0 2 2 I C A S Q U A R T E R L Y
b y A a r o n " C u j o " C o o l e y C A S
Sometime around early 2015, I made the decision that, as a
production sound mixer, I wanted to expand my abilities into what I
foresaw as the coming standard of more streamlined digital recording
workflows and to expand the capabilities of my system without adding
massive amounts of heavy and power-hungry analog gear and the
associated cabling and complexity that goes along with it.
To Remote or
Not to Remote:
Using Dante to
Overcome Modern
Production Recording
Incorporating lots of Dante on the
set of Robbie in 2019.
