Issue link: https://digital.copcomm.com/i/1434375
C A S Q U A R T E R L Y I W I N T E R 2 0 2 2 33 time, Massey also mixed several projects for TV, along with many IMAX specialty films. He moved into film more formally when he joined Deluxe/Filmhouse in Toronto, where he met and worked with Andy Nelson in the late '80s. In 1989, Andy moved to L.A. and recommended Massey to J.R. DeLang at Todd-AO. Sight unseen, J.R. offered him a re-recording mixer position over the phone! So, in 1990, Massey moved to Los Angeles. Massey has since worked at many studios in L.A., primarily Todd-AO, Sony, and 20th Century Fox, while also working internationally at facilities in London, such as Twickenham, Goldcrest, and Pinewood on both US- and UK-financed films. Paul Massey considers himself incredibly fortunate to work with amazingly talented directors, picture editors, and sound crews, many of whom have become lifelong friends. A few long-term collaborating directors include Sir Ridley Scott, James Mangold, and Gore Verbinski. His stellar work has garnered him 25 combined Oscar, BAFTA, and CAS Award nominations. Bohemian Rhapsody secured him an Oscar, BAFTA, and CAS Award. He also won both a BAFTA and CAS Award for Walk the Line and Master & Commander: The Far Side of the World, and another CAS Award for Ford v Ferrari and another BAFTA for Almost Famous. Massey joins an illustrious group of past CAS Career Achievement honorees that includes William B. Kaplan, Tom Fleischman, Lee Orloff, Anna Behlmer, John Pritchett, Doc Kane, David MacMillan, Andy Nelson, Chris Newman, Scott Millan, Jeffrey S. Wexler, Randy Thom, Dennis Sands, Ed Greene, Mike Minkler, Willie Burton, Gary Rydstrom, Charles Wilborn, Jim Webb, Richard Portman, Tomlinson Holman, Les Fresholtz, Walter Murch, and Don Rogers. Bohemian Rhapsody Ford v Ferrari House of Gucci