Location Managers Guild International

Fall 2021

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

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LMGI COMPASS | Fall 2021 • 23 far corners. Alison pulled together a really cool crew. We had the best location team across the board." FIRST STOP, GRIFFIN "When Cora gets away from the plantation and makes it to 'South Carolina,' she becomes involved with the Georgia Institute for Negro Progress," says Alison. "That was unique—and hopeful. Okay, she's free now. She's out dancing in a yellow dress and taking classes. There are tall buildings and elevators—all this stuff to make you think life is good now—and then you find out that it isn't." With a digital extension added to create a tower, Savannah City Hall was the anachronistic skyscraper looming over the fictional city of Griffin, SC. The surrounding buildings were transformed to look period, and the streets were filled with dirt, horses and carriages to create the enlightened community where Cora finds refuge—until she discovers the atrocities being committed behind the facades. She is forced to flee and catches the train to "North Carolina." "There are actual train tracks inside the museum" KALM Martin adds. "We brought a mass of scaffolding, and then we built the underground tunnel. We had it set up big enough to have two stations inside. When we wanted different stations, we'd flip them." "The only other piece of railroad we had was the big station and testimonial room we shot in Macon," adds Allison. "The restored Macon Terminal Building was where everyone traveling on the railroad gave their personal testimony before boarding the train. This became the written history of the many runaway slaves and freed persons searching for a better life. Those scenes are powerful. With everything else, we had to make sure each place Cora stepped off the train would be wildly different from where she was before. That's how we approached things." "We wanted to make each of the 10 chapters feel distinct," agrees Friedberg, "and that made finding locations much more complicated. We were communicating an epic journey through states of mind and history. We were in one state—Georgia—and were trying to make it look like all of America. Georgia has a lot of looks if you push to the

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