Issue link: https://digital.copcomm.com/i/1401154
USA 1-800-821-1121 In Canada, call 877-753-2876 In Europe, call +33 (0) 78558 3735 In South America, call +57 310799 4564 Join us in Booth #C7912 at NAB Las Vegas Convention Center October 10-13 Use code LV7912 for your free pass before September 19 th evolve, we see deliverables generally increasing and specifications becoming more and more specific, as well as the presence of theatrical/ streaming hybrid projects. Marti Humphrey CAS recalls when mixing the streaming/theatrical title The Banker for Apple, "It was so new to Apple that they didn't have a lot of guidelines or specs, so they gave us some, and we brought on our expertise and knowledge to help them hit their target of having to deliver to various markets. It was a changing marketplace." Matt Waters CAS also notices, "I am finding streaming is becoming more and more theatrical in their wants and desires. Meaning, they will want the detail, the dynamic range. This has been great and one of the reasons I enjoy mixing the streaming films or shows. I also think that expectations AND budgets [will] continue to rise in the streaming world." The important takeaway is, much like the bespoke work we do on the creative aspects of our mixes, there is also an immense amount of technical detail and work necessary to create a mix that will reach the end audience successfully. Achieving this will take awareness and flexibility within the sound team to remain attuned to every project's distinctive technical needs and expectations. Brian Tarlecki "There is no true spec to hit in theatrical. It is far more dynamic and catered to what the filmmaker needs to happen." –Brian Tarlecki