about that in the context of it as a
whole. Right across the street is a
really very nice house, one of the
nicer houses in town. And it's like,
again, what fruitful element of their
relationship is, to me, symbolic of
that home, in particular? And so
the town itself just began to feel so
appropriate as kind of the space to
tell the story. And then you could
see it at times that when they're
arguing, we shoot wide enough that
we can see these landscapes. And
in particular, when we're at David's
father's house and they're arguing,
as they argue, the red brick house is
actually in between the two of them
as this argument continues. And so
it was very nice to be able to have
those proximities and to have some
of what you were looking at, the
very kind of deliberate whether an
audience would pick up on it or not,
the deliberate nature of it.
MA: Gents, that's all we have time
for in Part 1 of this article. In
Part 2, we continue to dive deeper
into The Killing of Two Lovers.
Discussing the personal aspects
of the characters and further
explore the soundtrack propels the
emotional context of the scenes
forward.
