Issue link: https://digital.copcomm.com/i/1401019
12 I m ps e . o rg M PS E CO N TR I BU TO RS Eric Marks MPSE & Neil Marks To Boldly Go Where No Sound Editors Have Gone Before Eric is the founder of Transported Audio, a post-production sound studio in Los Angeles. He has supervised projects for Netflix, Amazon Prime, Disney, EA, as well as countless trailers and commercials. He is a member of the MPSE Board of Directors, where his work has been nominated for five Golden Reel Awards. Neil is a member of the WCWP Hall of Fame, where he has hosted countless radio shows and contributed sports color commentary intermittently for over 45 years at Long Island University. Outside of audio, Neil has been a devoted Trekkie since 1966. Korey Pereira MPSE Tech Corner Korey is the founder of Soularity Sound, a post-production sound company based in Austin, Texas. He also works with Soundcrafter and other Austin-based crews. Editorial credits include works directed by Richard Linklater, Robert Rodriguez, and David Gordon Green among many others. Recently, he updated his studio to support Dolby Atmos mixing and has expanded into 360 spatial audio for VR. Since 2018, Korey has also been a lecturer at the University of Texas at Austin, Department of Radio, Television and Film, where he teaches post sound. He has been an active member of MPSE since 2017. Bernard Weiser MPSE EIPMA Column/Bridging the Gap Between Aspiring Professionals and Industry Experts EIPMA President Bernard Weiser has been nominated for two Emmys, both as dialogue editor for HBO's Deadwood: The Movie and True Detective's "The Great War and Modern Memory." WE WELCOME CONTRIBUTIONS PLEASE SEND SUBMISSIONS TO WAVELENGTH@MPSE.ORG Vickie Sampson MPSE Dear Dialogue Detective After a successful and award-winning 40+ year career as a supervising sound editor with over 200 feature film credits, Vickie Sampson uses her time for teaching, writing, directing, and playing with grandchildren and horses. She still edits sound for indie filmmakers and friends who need it. She has an Emmy, four Golden Reel Awards; has worked on Oscar- winning films for sound and is a member of AMPAS, MPSE, and Alliance of Women Directors. Vsampson@aol.com Steve Lee MPSE THSM A Moment of Disney Zen Making Zenimation Steve Lee wonders to this day how he went from recording episodes of Disney's Wonderful World of Color off the TV onto audio cassettes as a kid, to creating and wrangling sound effects for Aladdin, The Lion King, and A Goofy Movie as an "adult." Today, besides writing anecdotes every season here in the Wavelength quarterly about his 30-year career in movie sound, he hosts webinars and other virtual programming for the Hollywood Sound Museum, which he created. Please join at Patreon.com/ HollywoodSoundMuseum. Paulette Victor Lifton MPSE Dennis Drummond Paulette's career in sound started in 1997 when she co-founded Oracle Post in Burbank, CA. A supervising sound editor, Ms. Lifton has earned multiple Emmys and MPSE Awards for animation (DreamWorks and Nickelodeon) and for her work in documentaries (HBO and PBS). Her clients include Viacom, Disney, Netflix, Fox, and Showtime. Wylie Stateman MPSE The Invisible Art of Sound Wylie Stateman is a New York-born American sound designer, who has supervised over 150 sound editorial projects and has been nominated for multiple industry awards, including nine Academy Awards, six BAFTA Awards, and more than 30 Motion Picture Sound Editor Awards. He also received a Science Technology Award from the Academy of Motion Picture Arts and Sciences in 1994 for Audio Track's Advanced Data Encoding (ADE) System. Wylie has worked extensively with every major studio in Hollywood, along with some of the most prolific writers/directors in the motion picture and television industry. His creative sound work has included multiple collaborations with Quentin Tarantino, Oliver Stone, John Hughes, Scott Frank, and others. Most recently, he founded 247SND, 247snd.com a post-production sound design and editorial services company based in Topanga, CA.