CDG - The Costume Designer

"I'm exc t peop f l a ice Wak a exp i ce roy• ty Af• • di- p€ a ‚ rƒ „ ‚ … w‡ rˆ ‰ t. " is both traditional and modern, we brought on Douriean Fletcher, a long-time collaborator. Douriean studies regions of Africa, under- stands the history, and delivers a uniquely beautiful aesthetic to each piece. I'm excited that people will get to feel a slice of Wakan- da and experience the royalty of the African diaspora through this wearable art. "It's our museum, our history, and hopefully generations to come will be inspired by motion pictures and the creative collaborations that make them," says Phillips. "It's wonderful that costume designers are celebrated along with produc- tions designers and fi lmmakers in one place. Being able to buy authen- tic merchandise created by the mov- ie makers of Hollywood is unique, and the museum will become a world destination." "I'm exc t peop f l a ice "I'm exc t peop f l a ice Ruth E. Carter in collaboration with Douriean Fletcher Arjun Bhasin designers, including Arianne Phillips and Ruth E. Carter, to create pieces for the museum store. Phillips was honored when she was approached to make merchandise based on The Wizard of Oz. Kramer said he wanted something "more interesting than coff ee cups." Phillips thought it would be fascinating to join forces with other designers whose work she admires. She asked Arjun Bhasin, Sharen Davis, and Sandy Powell to contribute their ideas for Wizard of Oz T-shirts and was blown away with their interpretations. "They came up with designs I would never have even dreamt of" she exclaims. Phillips was also inspired to put together a cap- sule collection of Wizard of Oz attire and acces- sories. She approached her friend Jeremy Scott, the creative director of House of Moschino, with whom she has previously partnered. Scott's fashion design is often informed by movies and pop culturea perfect fi t. The project has been one of the bright lights for her this past year. Their collection is comprised of fi ve items: a knit dress, hoody, tote bag, an umbrella, and a ruby slipper handbag. These items will be manufac- tured by Moschino. Ruth E. Carter designed a jewelry line. "The Academy continues to honor the impact the Black Panther costumes have had on fi lmmak- ing and culture. It's wonderful" she enthuses. "To create Afro futuristic couture jewelry that Sa ndy P ow e ll "I'm exc t peop f l a ice "I'm exc t peop f l a ice Wak a exp i ce roy• ty Af• • Wak a exp i ce roy• ty Af• • "I'm exc t peop f l a ice Wak a exp i ce roy• ty Af• • "I'm exc t peop f l a ice "I'm exc t peop f l a ice Wak a exp i ce roy• ty Af• • "I'm exc t peop f l a ice di- p€ a ‚ rƒ „ ‚ … w‡ rˆ ‰ t. " di- p€ a ‚ rƒ „ ‚ … w‡ rˆ ‰ t. " Wak a exp i ce roy• ty Af• • di- p€ a ‚ rƒ „ ‚ … w‡ rˆ ‰ t. " Wak a exp i ce roy• ty Af• • Wak a exp i ce roy• ty Af• • di- p€ a ‚ rƒ „ ‚ … w‡ rˆ ‰ t. " Wak a exp i ce roy• ty Af• • designers, including Arianne Phillips and Ruth designers, including Arianne Phillips and Ruth E. Carter, to create pieces for the museum store. E. Carter, to create pieces for the museum store. Phillips was honored when she was approached to make merchandise based on Oz. Kramer said he wanted something "more Oz. Kramer said he wanted something "more Oz interesting than coff ee cups." Phillips thought it would be fascinating to join forces with other designers whose work she admires. She asked Arjun Bhasin, Sharen Davis, and Sandy Powell to contribute their ideas for and was blown away with their interpretations. "They came up with designs I would never have 17

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