Issue link: https://digital.copcomm.com/i/1400113
A1 INT WAKE UP WITH KENAN Scale :1/4"=1'-0" B00 A INT WAKE UP WITH KENAN Scale :1/4"=1'-0" B00 A2 INT WAKE UP WITH KENAN Scale :1/4"=1'-0" Scale :1/4"=1'-0" Scale :1/4"=1'-0" Scale :1/4"=1'-0" B00 B INT WAKE UP WITH KENAN Scale :1/4"=1'-0" B00 C INT WAKE UP WITH KENAN Scale :1/4"=1'-0" Scale :1/4"=1'-0" Scale :1/4"=1'-0" B00 B00 2'-0" 2'-0" 20'-0" 2'-0" SLAT INSET @C SHELF @A2 PLAN FRONT VIEW FRONT VIEW FRONT VIEW PLAN FRONT VIEW FRONT VIEW PLAN FRONT VIEW PLAN FRONT VIEW SLATS @B 15'-0" 11'-10" 1'-0" 9'-2" 1'-8" 8'-6" 15° 4'-0" 25° 3'-10" 1'-6" 3'-0" backing wall backing wall 22'-0" 13'-0" backing wall backing wall 16'-0" backing wall backing wall 2'-0" 2'-0" 2'-0" 2'-0" 15'-9" 15'-3" 2'-6" 1'-4" 2'-0" 2'-0" 11'-0" BASE 10" 10'-0" HEADER 1'-0" 11'-0" the end cap columns continue all the way to the floor continue all the way to the floor continue all the way to the floor continue all the way to the floor continue all the way to the floor continue all the way to the floor continue all the way to the floor monitor monitor SLATS 1" face x 2" deep with 1" between minimal frame (through bolt? steel across back?) SLATS 1" face x 2" deep with 1" between minimal frame (through bolt? steel across back?) WOODEN SHELF 1x12 stain grade back with [backing TBD] little 1x2 facings for structure and to hide lights typ. section typ. section typ. section typ. section typ. section backing wall backing wall backing wall BIG HEADER "light kick" (see detail) 9'-2" UPLIGHTS (6" cans?) #WhatsUplight #WhatsUplight 3'-0" 3'-0" backing wall TBD backing wall TBD backing wall TBD maybe WOOD 2'-0" 2'-0" 1'-8" 11'-0" the end cap columns continue all the way to the floor continue all the way to the floor continue all the way to the floor continue all the way to the floor continue all the way to the floor continue all the way to the floor continue all the way to the floor 2'-4" 8'-0" 6'-6" 2'-0" 2'-0" 1'-6" 2'-2" half-circle recessed 6" into wall slats are 1¼" face x 2½" deep, 1 " deep, 1¼" between back with MILK PLEXI d. 6'-0" 4'-3" 3'-6" 1'-9" 25° hanging lamp tbd hanging lamp tbd 1'-4" hanging lamps tbd hanging lamps tbd 3'-8" CHANNEL LETTERS plant on wall, on standoffs? 9'-0" wall pots hooks? loops? 5" 1'-0" 1'-0" 15° 3'-1" 9'-2" 25° 5'-0" 3'-8" 1'-4" E INT WAKE UP WITH KENAN : COLUMNS FRONT SIDE ON-SET COLUMNS BUILD (4) END-CAP COLUMNS BUILD (2) 9'-2" 11'-0" FRONT 1" x 1" wood slats 1" between sits on top of base, under header i figure finish 3-sides is fine? PLAN PLAN these ones sit right on the stage floor 1" 1" 1" 1" 1" 1" 10'-0" (A) BACKING WALL (A1) BACKING WALL (A2) BACKING WALL (B) BACKING WALL (C) BACKING WALL 11'-0" 15'-3" 22'-0" 13'-0" 16'-0" 11'-0" 11'-0" 11'-0" 11'-0" 8'-0" slat inset detail below detail below return wall 2'-6" photo photo wood photo photo 6'-4" 3'-6" 3'-0" 1'-8" 2'-10" 4'-6" 2'-8" 1'-4" 1'-0" 1'-8" 7'-0" 5'-0" 1'-4" 1'-6" 1'-6" WHEN TRICIA SAYS "the T-shelf" SHE MEANS THIS 3'-6" 4'-6" 11'-0" 17 Set decorator Julie Drach had to shop for many key pieces multiple times upon receiving email alerts that items would not arrive in time. Over at the mill, with only weeks to go, the Universal construction department led by construction coordinator Jay Jergensen, foreman Chris Loftland and head paint foreman Richard Segovia continued to pull off miracles, fi nding lumber, steel, Speed Rail, glass, harnesses and construction materials that were extremely scarce in the Los Angeles area. As a result of the pandemic, scarcity of materials due to an increase in home-renovation projects and interruptions in international shipping led to a 40-percent hike in prices, which severely gouged the build budget. As other departments started work, art, set dec and construction crews felt like veterans. Telling other crews they will be OK, because some were stepping out of their houses for the fi rst time in months. "Bring a toothbrush to work," "Eat in your car" and "You're on mute" replaced typical on-set conversations to which we were all accustomed. The fi rst scheduling meeting with assistant director Van Hayden informed the crew that we would be starting day one on stage. No location days as a buff er. After testing, the crew arrived early on Monday to shoot the fi rst scenes in Kenan's house. It took unprecedented collaboration and patience D.WAKE UP WITH KENAN MORNING SHOW SET. DESIGN ELEVATIONS BY SET DESIGNER A.E. CHADWICK IN VECTORWORKS 2021. E. WAKE UP WITH KENAN TWO-STORY OFFICES OVERLOOKING THE MORNING SHOW SET INSPIRED BY THE 1991 FILM SOAPDISH. PHOTO BY CHRIS HASTON/NBC. F. SECOND-FLOOR CONFERENCE ROOM WITH FLOOR TO CEILING GLASS WALLS INSPIRED BY ROBERT DOWNEY JR.'S OFFICE IN SOAPDISH. PHOTO BY CHRIS HASTON/NBC. F E D