MPSE Wavelength

Summer 2021

Issue link: https://digital.copcomm.com/i/1383665

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M OT I O N P I CTU R E S O U N D E D I TO R S I 59 EM: You've worked on so many dierent types of projects over the years. One type of project I'd like to focus on is documentaries, where you've done some terrific work. How did you begin working on documentaries? SRC: I have a lot of friends who make documentaries, they kind of pass on the good word to each other, and their friends come to me. I like working on documentaries too, so that's how it happened. EM: What do you like specifically about them, compared to a scripted narrative project? SRC: Actually, my process on a narrative film is similar to what I do with a documentary. I think of myself as a dialogue editor who also cuts some sound effects and design. I try to stay focused on production sound first and use that to get inspired, and expand my soundscape from the production sound within narrative films too. The process is very similar to what I do with documentaries. All photos courtesy of Sung Rok Choi

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