Issue link: https://digital.copcomm.com/i/1383074
6 S U M M E R 2 0 2 1 I C A S Q U A R T E R L Y Officers Karol Urban CAS MPSE - President Steve Venezia CAS - Vice President Lee Orloff CAS - Treasurer Frank Morrone CAS - Secretary Directors Amanda Beggs CAS Onnalee Blank CAS David Bondelevitch CAS MPSE Bob Bronow CAS Willie D. Burton CAS Mary H. Ellis CAS Tom Fleischman CAS Marti Humphrey CAS Sherry Klein CAS Peter Kurland CAS Mike Minkler CAS Tara Paul CAS Stephen Tibbo CAS Mark Ulano CAS Jeffrey Wexler CAS Operations Manager Carol Thomas Editor in Chief Matt Foglia CAS Publisher IngleDodd Media 11661 San Vicente Blvd., Ste. 709 Los Angeles, CA 90049 Questions or Comments: Cinema Audio Society 827 Hollywood Way #632 Burbank, CA 91505 Phone: 818.752.8624 Fax: 818.752.8624 Email CASQuarterly@CinemaAudioSociety.org Website www.CinemaAudioSociety.org Advertising: IngleDodd Media 310.207.4410 CAS@ingledodd.com www.IngleDoddMedia.com ©2021 by the Cinema Audio Society. All rights reserved. CAS ® , Cinema Audio Society ® , and Dedicated to the advancement of Sound ® are all trademarks of the Cinema Audio Society and may not be used without permission. Welcome to our annual "Meet the Winners" issue, where we celebrate the awards recipients from the 57th Annual CAS Awards. And while nothing can replace the face-to-face mingling and celebration we traditionally experience, the virtual awards presentation was truly enjoyable and well-produced (not to mention humorous!). Kudos to the production team, hosts, and presenters for all of their work. While this issue focuses on hearing from our awards recipients, we have a couple other articles we think you'll find interesting. In a continuation of his article from the Winter Quarterly that focused on post, David Bondelevitch CAS MPSE explores the PRODUCTION side of teaching in his article "Teaching Sound Mixing: Production." David also provides a recap of the "Speed Mentoring" sessions that were held for this year's student award nominees from ACE, CAS, and MPSE. In a break from workflows for traditional scripted or unscripted programming, CAS Associate Sam Casas shares some approaches and considerations in his article "Post Mixing for Commercials." And whether you're new to the production game or an experienced practitioner, CAS Associate Whitney Worthen finds the new book Behind the Sound Cart—which she reviews in these pages—can provide some valuable info and insight. Finally, be sure to read about the happenings of your fellow members in the "Been There Done That" and "The Lighter Side" sections. As we get closer to normal interactivity, I'd like to thank you for taking the time to check out this issue. If an article makes you think of a friend or colleague, send a link to the online version of the Quarterly, available on the CAS website. Thanks goes to all of our contributors for volunteering their time—especially for this thick issue. Please remember that our sponsors are professionals like you who understand the business and the needs of our industry; we encourage your commitment to them. And if you have the urge, feel free to reach out to us at CASQuarterly@CinemaAudioSociety.org. Stay well and I hope to see you (unmasked) soon. Matt Foglia CAS F R O M T H E E D I T O R