CAS Quarterly

92 S U M M E R 2 0 2 1 I C A S Q U A R T E R L Y Tara Paul CAS just wrapped Season 32 of The Simpsons! The whole season was recorded, edited, and mixed remotely to help everyone stay healthy. She is currently mixing Season 4 of The Good Doctor remotely, and is looking forward to starting the series reboot of the movie I Know What You Did Last Summer (Amazon Studios and Sony Pictures) this summer! Frank Morrone CAS and Rob Carr CAS are on Formosa's Stage 4 mixing Roswell, New Mexico and Legacies. Devendra Cleary CAS here! After taking it easy in early January due to county request that film productions stay on hiatus; we returned to finish out our third leg of Dear White People for Netflix. Chris "Catfish" Walmer, Kelly Lewis, and Venus Leone kept it all running smooth. After that, Catfish, Heather Fink, and I jumped onto a pilot for Warner Bros. called Pivoting. Next, onto Season 3 of Black Monday for Showtime, with Tanya Peel, Kelly Lewis, and Alexis Schafer rounding out the team. Right now, we're prepping to load onto Season 1 of an eight-episode miniseries called Gaslit for Universal and Starz, with Catfish, Kelly Lewis, and Chloe Patenaude as my teammates. B E E N T H E R E D O N E T H AT Education suffers the most in the fast-pace world of technology. By the time a book hits the shelves, it may already be out of date. Even so, the sound world fights its best fight to provide some cutting-edge educational materials for those breaking into the industry. Released this past January, Behind the Sound Cart: A Veteran's Guide to Sound on the Set by Patrushkha Mierzwa, joins the short list of production sound educational books. Similar to The Location Sound Bible (Ric Viers) and Location Audio Simplified (S. Dean Miles), Behind the Sound Cart offers up a world of insight specific to production sound for film, teaching anyone new to the industry what sound entails on a film set. The book offers the unique perspective of focusing solely on sound as a utility or 2nd assistant sound on a production. Having worked big projects such as Titanic and Once Upon a Time in Hollywood, Mierzwa adds her observations and experiences to the

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