Issue link: https://digital.copcomm.com/i/1383074
C A S Q U A R T E R L Y I S U M M E R 2 0 2 1 37 balance between the music, crowds, and the archival audio. There was a unique moment when they were talking about the origins of the song "Jive Talkin'" and how they came up with the song while they were crossing the bridge on their way to Criterion Studios. Our FX editor, Pascal Garneau, had cut this "tire on bridge" sound that mimicked how they heard it when they were crossing the bridge, so that was kind of a fun moment for FX. But, usually it's kind of taking a back seat, laying an ambience or backdrop for all the locations they go to, but there were a few that were a lot of fun. Sounds like a fun project. It was such a great crew with sound, producer, director, especially with all the music. I think they did a limited release at drive-ins, but I hope it comes back to theaters because it is a fun movie. GARY A. RIZZO CAS: Re-recording Mixer Tell me about your experience with The Bee Gees. The Bee Gees was the very, very last project we did really before the world shut down. We actually advanced our schedule to work around another show I was working on. I love to do these musical documentaries because they're not huge jobs, so I can kind of plug them in and move them around other larger feature jobs that I do. I've been so fortunate to be able to collaborate with (director) Frank Marshall numerous times for his documentary division, which is run by Ryan Suffern, who is a dear friend of mine. First of all, it's nice to be able to have the creative liberties (L-R): Re-recording mixers Jeff King and Gary Rizzo CAS