Location Managers Guild International

Spring 2021

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

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LMGI COMPASS | Spring 2021 • 57 the setting for several high-octane gunfighting sequences. Vickers' team found the perfect location for the fictional Monarch Solutions headquarters at the American Cancer Society Center in downtown Atlanta. Designed by Atlanta architect John Portman, it had the high ceilings, open spaces, stark black-and-white contrast and lack of corners that gave it the futuristic look perfect for the story world within the game. For the A&E medical miniseries thriller Coma, his team led production to another high-tech office building in the High Museum of Art, also in Atlanta. "You have to think outside the box. Even though the script says 'office,' you have to look at what could fit the style and story the director wants to tell. One of the things I love about this job is that we're often trying to solve a puzzle with a creative eye, really focusing on the alternate uses of locations and spaces to convey the visual landscape of a story." Sharp Objects Comes to Town Scouting has recently become a family business in the Vickers' household. For the HBO crime drama Sharp Objects, starring Amy Adams, Vickers teamed with Taylor, his wife of 30 years, who had also become a scout. Together, they found the pig farm, swimming hole and several key locations in the city of Barnesville, Georgia. Sixty miles south of Atlanta, it stood in for the fictional city of Wind Gap, Missouri. "We found the locations by getting to know the local community and gaining their support so they would be excited to help us with the project. It's as much about the collaboration with local community as it is working with the production company," shares Vickers. One location that was a particularly challenging find was the "swimming hole" where a pivotal flashback sequence was to take place. In the script, it was described as a small lake or pond totally surrounded by trees with an intimate and claustrophobic vibe. "This doesn't exist in the real world," says Vickers. "When you look at most lakes or ponds, there's usually a shoreline. You don't often find trees growing right up on the edge of a pond or lake." The perfect location presented itself as Vickers was chatting with the publisher of the local Barnesville newspaper. He just happened to own a property with an area he intended to develop into a duck pond. There was very little access to the spot, but director Jean-Marc Vallée and production designer John Paino fell in love with it. "We ended up putting in a small gravel road, further excavating the area, and clearing out the brush in the pond. We found the nearest water hydrant so the fire department could pump water Dodd Vickers/LMGI and wife, Taylor Vickers

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