Location Managers Guild International

Spring 2021

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

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48 • LMGI COMPASS | Spring 2021 exist, the wolves and trainers would have had to travel to the shooting crew in Europe. The crew of GOT in Europe didn't have to worry about shooting a live animal, as well as all the other crazy logistics on location. Not every job will stretch our skillset to the max, and I welcomed the respite. I got to see their setup, grab a couple pics of the GOT Direwolves, hand out some cheques and hang out organizing my overflowing scouting files. Landing on the Red Planet Before Perseverance I realized early on that I was scouting for something really special with Lost in Space. I was tasked with finding epic landscapes devoid of any vegetation to play for the Red Planet, which would appear in four episodes in Season 2. What a fun assignment! I've scouted and shot in the Alberta Badlands in the past but mostly for mountain biking, car commercials or as a double for New Mexico or Utah in a Western. I'd always hoped for a "space" show because the unusual features always looked otherworldly to me! After viewing my scouting images, the producer and director were excited to see more. I couldn't have asked for a better team to work with: seasoned director/producer Alex Graves, "been there, done that" designer Frank Walsh, young gun VFX savant Jabbar Raisani, and the progressive even-keeled producer/PM team of Brad Van Arragon and Dennis Penney/LMGI. Jabbar's team would be taking care of photogrammetry in-house. They started shooting the different location options early using their DSLR cameras to create digital environments for not only their own discussions but to aid in pre-production planning for every department. My stills and video using the drone helped to create boards and facilitate discussions toward final decisions on the hero locations. I asked Jabbar if there was anything we, as scouts, could do to facilitate the search for these types of proposed environments. "Using drone stills and video would be a minimum, but going further and using photogrammetry/LiDAR would be even better so we can virtually scout in 3D programs and VR (Virtual Reality)* if necessary," he advised. Lessons Learned But there was more. I was caught off-guard when I was told that we needed to have all of the locations LiDAR scanned sometime after all of the sets and dressing were in place and Lost in Space, Alberta Badlands, Canada

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