Issue link: https://digital.copcomm.com/i/1349602
who took every ridiculous set decoration concept or iffy color scheme of mine and polished it till it sparkled. Mariana could thrive in any scale, from the deeply personal her Nebraska bedroom set made you fall in love with Barb and Star to the gargantuan wrangling an army to build the acre of booths for the Seafood Jam Festival. Juan Pablo Garca Tamés, ace Art Director and concept artist, created evocative illustrations of the villainess' lair yep, there's an evil villainess in the story, then wrangled the huge set as it filled up Stage wall to wall. osafat Delgado and David Soto built superb digital models for every sound stage set or location build, and then supervised each step of their construction under the en leadership of construction coordinator Miguel Jiménez. The mountain of graphics needed for this show was climbed with great style by artists arla Manduano and Raquel Fierro for fifteen nonstop weeks. From top to bottom, the team worked miracles. A shooting schedule soon emerged first would come three weeks of location work in Cancun to establish the airport, boardwalks, shopping canals, sea action and public hotel spaces of Vista del Mar. A beige hotel lobby became a technicolor dream with A. LOBBY CONCEPT ILLUSTRATION BY JUAN PABLO GARCÍA TAMÉS, PHOTOSHOP. THE BEIGE LOBBY LOCATION GOT AN INJECTION OF TURQUOISE AND MAGENTA, OVER- SCALED FLOWERS AND A MOBILE OF SEAGULLS CIRCLING A LIGHTHOUSE. B. LOBBY PANORAMA. A B C D E F