Issue link: https://digital.copcomm.com/i/1349602
and move into a new home while our construction and paint departments made repairs to his house before he put it on the market. It was a win-win situation. While I scouted with John, Gary Kosko investigated the logistics of building and shooting the cabin set in winter on the back acreage of the studio and how to get equipment and crew in and out without ruining the bucolic nature of the environment. Gary's planning proved to be invaluable as was the hard work of the greens department lead by Greg Jones. When Patrick Cassidy fi rst arrived in Pittsburgh, he too dove down the rabbit hole of research, pouring through period magazines and historical libraries. As location choices solidifi ed, keyframe pictures were put up on the wall in story order, adding paint color swatches of the progressing palette, wallpapers, research photos, Kate's set design drawings, Brad's signage, fabric samples and major furniture pieces. It served as both an evolving design tool, as well as a presentation for A. BARGAIN STORE EXTERIOR. SET PHOTO. B. BARGAIN STORE INTERIOR. PRODUCTION STILL BY WILSON WEBB. C. PHARMACY SIGN. SIGN DETAILS BY KATE DOUGHERTY AND BRAD TOWELL. D. PHARMACY EXTERIOR. PRODUCTION STILL BY WILSON WEBB. E. PHARMACY INTERIOR. PRODUCTION STILL BY WILSON WEBB. F. FORMULA LABEL. GRAPHIC LAYOUT BY BRAD TOWELL. G. CLUB EXTERIOR. SIGN STUDY BY BRAD TOWELL. H. CLUB EXTERIOR. PRODUCTION STILL BY WILSON WEBB. A B D C