Issue link: https://digital.copcomm.com/i/1349602
M A R C H / A P R I L 2 0 2 1 | P E R S P E C T I V E 3 3 N E W S A D G L I F E T I M E A C H I E V E M E N T AWA R D S T A R T W R T E L A D G L I F E T I M E A C H I E V E M E N T AWA R D S T A R T W R T E L A. PENCIL SKETCH OF THE BUSINESS STREET FROM BRIGHTON BEACH MEMOIRS. B. PENCIL SKETCH OF JEROME STREET FROM BRIGHTON BEACH MEMOIRS. C. PENCIL SKETCH OF MAIN STREET FROM THE PURPLE ROSE OF CAIRO. D. SET PHOTO FROM THE PURPLE ROSE OF CAIRO. Wurtzel's numerous other feature credits include Enchanted, Stepmom, Hair, Mermaids, Romeo Is Bleeding, Three Men and a Little Lady, Old Gringo, Brighton Beach Memoirs, The Mambo Kings, When a Man Loves a Woman, I.Q., Charlotte's Web, The Ballad of Gregorio Cortez, The Ghost and the Darkness, Marley and Me, Hope Springs and Ricki and the Flash Wurtzel's fi rst feature fi lm design credit was Joan Micklin Silver's Hester Street, on which he collaborated with his wife, Patrizia von Brandenstein. His association with Silver continued with Bernice Bobs Her Hair for the American Short Stories series on PBS and the feature Between the Lines. On television, Wurtzel's design for Little Gloria... Happy at Last, earned him an Emmy Award nomination for Art Direction. His most recent work on The Loudest Voice can be seen on Showtime. A B C D