MPSE Wavelength

Winter 2021

Issue link: https://digital.copcomm.com/i/1335892

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80 I M PS E . O R G the production. This was really tricky because I remember that Chloé doesn't like the sound of the lavaliere mics, so all of the chosen takes are boom because the sound is more warm. I totally agree. So we found a good mic to have a good match. What about the mix process? Were you sending stereo reviews of the final mix or were you able to get into a stage? During the sound design and pre-dub process, I was sending stereo mixes for proposal and that was done in about eight weeks. Then for final mix, Zach and Chloé moved to Disney to mix for a few weeks so Chloé could have the 7.1 and 5.1 cinema perspective. What was the biggest challenge for the soundtrack on the film? The biggest challenge was to select the right elements for Chloé because we run during different seasons and I needed to find the accurate sounds for these moments. I started by going into my library and selecting a lot of sounds that I had already recorded over the years. I had been waiting for the moment to

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