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process was remote. ADR in general
is challenging so during COVID,
this added more challenges for
us. Mike also recorded a couple of
mono wild tracks of three to four
minutes of the backgrounds of each
location. So what I did was to bring
in the mono tracks and convert
them to stereo so that I could use
this as my base.
COVID-19 has caused many parts
of our industry to restructure and
push for innovation. What was
your process for getting around
COVID restrictions on this film?
We used this powerful tool called
Evercast, which is awesome. The
latency is almost nothing. Zach and
the picture editorial handled that
software to put us all together for a
spotting session and for playbacks
of the sound design with high-
quality picture and sound. For the
ADR, they sent a cellphone with a
microphone to match the sound of
