Issue link: https://digital.copcomm.com/i/1335010
C A S Q U A R T E R L Y I W I N T E R 2 0 2 1 7 Officers Karol Urban CAS MPSE - President Steve Venezia CAS - Vice President Lee Orloff CAS - Treasurer Frank Morrone CAS - Secretary Directors Amanda Beggs CAS Onnalee Blank CAS David Bondelevitch CAS MPSE Bob Bronow CAS Willie D. Burton CAS Peter J. Devlin CAS Mary H. Ellis CAS Tom Fleischman CAS Marti Humphrey CAS Sherry Klein CAS Peter Kurland CAS Mike Minkler CAS Stephen Tibbo CAS Mathew Waters CAS Jeffrey Wexler CAS Office Manager Carol Thomas Editor in Chief Matt Foglia CAS Publisher IngleDodd Media 11661 San Vicente Blvd., Ste. 709 Los Angeles, CA 90049 Questions or Comments: Cinema Audio Society 827 Hollywood Way #632 Burbank, CA 91505 Phone: 818.752.8624 Fax: 818.752.8624 Email CASQuarterly@CinemaAudioSociety.org Website www.CinemaAudioSociety.org Advertising: IngleDodd Media 310.207.4410 CAS@ingledodd.com www.IngleDoddMedia.com ©2021 by the Cinema Audio Society. All rights reserved. CAS ® , Cinema Audio Society ® , and Dedicated to the advancement of Sound ® are all trademarks of the Cinema Audio Society and may not be used without permission. F R O M T H E E D I T O R For those of you who are old enough, do you remember all the worry and hesitation that surrounded New Year's Eve 2000? With "Y2K," computers were going to break, electronic infrastructure was going to fail, there'd be mayhem, darkness, locusts. Well, maybe not locusts ... but a lot of uncertainty. And then, a couple hours into 2000, a sigh of relief as the uncertainty subsided. While not such a hardline transition into relief, putting 2020 behind us definitely felt good. Things still aren't where they were, but we feel a little better knowing that vaccines are being administered and improvements are a real possibility. With so many folks staying home, content consumption has escalated—and we'd like to contribute a little with this issue. Steve Venezia CAS gives a rundown of how the sound for this year's Emmy Awards broadcast was executed amid the pandemic and Adam Howell CAS talks with production and re-recording mixers about the use of on-set noise reduction. Student member Matt Mulvihill speaks with three Foley teams about Foley relative to genre and David Bondelevitch CAS MPSE interviews a couple folks who teach mixing about their approaches and how, exactly, you teach mixing. Fernando Delgado CAS provides research on options for real-time remote ADR recording while Devendra Cleary CAS shares his experiences working production on set during the pandemic, revealing warts and all. Also, Daniel Vasquez Velez CAS reaches out to some of our international members to hear what the CAS means to them. And, as always, be sure to read about the happenings of your fellow members in the "Been There Done That" and "The Lighter Side" sections. Thanks goes to all of our contributors for volunteering their time to share their insights with us. Also, know that our sponsors are professionals like you who understand the business and the needs of our industry—even during these really crazy times. We encourage your commitment to them. Thanks for taking the time to check out this issue. If an article makes you think of a friend or colleague, send a link to the online version of the Quarterly, available on the CAS website. Finally, feel free to reach out to us at CASQuarterly@ CinemaAudioSociety.org Stay well, Matt Foglia CAS