Issue link: https://digital.copcomm.com/i/1331269
that's running around her eyes and her messy shadow… I took a wet brush, while her mascara was still wet, had her close her eyes very tightly, knowing it would smudge all over the place, and, with a slightly damp brush blended the edges out… Basic standard make-up techniques that translated into different disguises creating chameleon moments. Daniel: That were crammed in on the day! After having had creative conversations, scheduling posed certain limitations to achieve… What was that like for you? On the day, on the fl y, to get creative? Angie: It was very challenging on some days because there were looks that I had planned in ways that, on the day, would have less time … that going back to a place with proper lighting was impossible … that I had to carry everything and try to think of everything that I was going to need before leaving the trailer… I had to skip certain nuances because of a time-challenged shoot schedule. Daniel: I also found it a little disheartening forsaking certain things that may or may not have been crucial to the storyline … defi nite things that Emerald wanted us to deliver… I just took the actors hostage and delivered those things anyway … under certain circumstances! Isn't it ironic that the look you feel had the least amount of technique ends up being the look that's on the poster? Angie: Yeah, that's really interesting, for me my favorite look is the nurse… I absolutely love the nurse! I love the whole blowup doll concept. The wide-eyed double lash on top and bottom lash with the white liner on the waterline to make her eyes look huge and the ruby red lip… A real creation that I got to actually take all the way to fruition. Daniel Curet works on Mulligan's hair