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BITS & PIECES www.postmagazine.com 4 POST SEPT/OCT 2020 CBS VFX BRINGS GUESTS TO DREW BARRYMORE SHOW STUDIO CITY, CA — When The Drew Barrymore Show made its debut in September, viewers saw the ever-optimistic star greet her guests on stage. But this was in fact the work of CBS VFX (www.CBS-VFX.com), which made the union possible during the pandemic using virtual production and visual effects technology. CBS VFX's technology allows Barrymore to be on the show's set in New York City while her guests visit in realtime from a secure set in Los Angeles. "Despite the difficult realities of the world, we're able to bring our guests together with the freedom and vitality I've always envisioned for the show," says the host. Her show features a steady flow of weekly guests, many of whom reside in Los Angeles and are unable to travel due to pandemic-relat- ed restrictions. "We greenlit the show pre-pandemic," explains Rich Cervini, executive vice president of programming and production at CBS Television Distribution, which produces The Drew Barrymore Show. "So when COVID hit, we didn't want to sacrifice the quality and big-show feel. We wanted a solution to make it feel like guests were really in the studio with Drew instead of just on a flat screen." They turned to CBS VFX for input, and executive director Craig Weiss helped innovate a solution that was tested in June, then approved and fast- tracked to be ready for daily use by the show's September 14th debut. "The show and our team exhibited speed, creativity and a willingness to find entirely new applications for systems and software we've used on large- scale visual effects projects," says Weiss. "We had to overcome technical challenges in order to give Drew a seamless, realtime experience, enabling her to be immersed with her weekly guests. We utilized a proprietary system that incorporates custom synchronization software for remote-controlled cameras, fiber lines and data transmission. There's a natural body language and energy that is lost with video conferencing, and we've enabled Drew's show to return to the type of broadcast talk show we know and love, provid- ing her with the opportunity to engage with her guests in ways traditional approaches wouldn't allow." George Bloom, executive producer for CBS VFX, adds that the virtual production and visual effects provider — which is based at CBS Studio Center in Studio City — is involved in solutions for productions, networks and studios beyond its parent company. "The solutions we've created for The Drew Barrymore Show are great exam- ples of our commitment to helping producers find ways to achieve their visions safely, effectively and in ways that bring enormous value to their projects. We're excited to make the technology available throughout the industry." CBS VFX has developed technology and created visual effects for multiple series across many networks, including All Rise on CBS, This Is Us on NBC and Netflix's Dead to Me.