Location Managers Guild International

Fall 2020

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

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20 • LMGI COMPASS | Fall 2020 degree of responsibility, since it depends on our initial judgment whether that great project is going to be developed in your country or not. A location manager is nobody without his or her team. The Location Department technically and humanely executes the work to be done. Personally, I am lucky to count on a great team, starting with Irene, my coordinator and life partner, my brothers and friends like Marc, Enrique, Mateo, Lucas, Alberto, Moises, Pedro and many others. We are a great family that is sometimes essential to a project's success. A clear example of this was Terminator: Dark Fate where for certain reasons a hostile environment within the production became a nightmare—something to forget and try to learn from it. The many problems were only overcome by the unity of the department and the invaluable help from Simon Crook/LMGI. Terminator also demonstrated how sometimes our initial work is a decisive element in the ultimate choice of a film's location base, with the consequent contribution of wealth and labor in that region. From the first moment, the key location in LMGI Awards with Irene Marique, one of the happiest days in my life. The Málaga Film Festival with my two location manager brothers. Spain was a highway for a car chase, with five kilometers of road available for two months. After several failed attempts, the production was ready to look elsewhere. When at the last moment after exhaustive research, I found a stretch of highway on the way to an airport in the Murcia region in eastern Spain that had not yet been opened. Thanks to the collaboration of the local authorities, we successfully filmed in Spain, employing a crew of more than 1,000. The dramatic rise in the television production for the multitude of digital platforms has drastically changed location work. Shooting much more content in less time with a budget that is generally tighter forces us to have to find more locations in a much smaller geographic space. This was the case in the last two seasons of The Crown. We reimagined Spain to become more than 10 countries and very different geographic regions of the world. We shot the Director Tim Miller and Simon Crook/LMGI discuss the upcoming scene in Terminator: Dark Fate. The highway in Terminator: Dark Fate.

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