Issue link: https://digital.copcomm.com/i/1277927
6 S U M M E R 2 0 2 0 I C A S Q U A R T E R L Y Officers Karol Urban CAS MPSE - President Steve Venezia CAS - Vice President Lee Orloff CAS - Treasurer Frank Morrone CAS - Secretar y Directors Amanda Beggs CAS Onnalee Blank CAS David Bondelevitch CAS MPSE Bob Bronow CAS Willie D. Burton CAS Peter J. Devlin CAS Mary H. Ellis CAS Tom Fleischman CAS Marti Humphrey CAS Sherry Klein CAS Peter Kurland CAS Mike Minkler CAS Stephen Tibbo CAS Mathew Waters CAS Jeffrey Wexler CAS Office Manager Carol Thomas Editor in Chief Matt Foglia CAS Publisher IngleDodd Media 11661 San Vicente Blvd., Ste. 709 Los Angeles, CA 90049 Questions or Comments: Cinema Audio Society 827 Hollywood Way #632 Burbank, CA 91505 Phone: 818.752.8624 Fax: 818.752.8624 Email CASQuarterly@CinemaAudioSociety.org Website www.CinemaAudioSociety.org Advertising: IngleDodd Media 310.207.4410 CAS@ingledodd.com www.IngleDoddMedia.com ©2020 by the Cinema Audio Society. All rights reserved. CAS ® , Cinema Audio Society ® , and Dedicated to the advancement of Sound ® are all trademarks of the Cinema Audio Society and may not be used without permission. F R O M T H E E D I T O R Our organization is comprised of people of practically all ages and at all levels. From the early-in-their-studies academic members to the Oscar/Emmy/CAS Award-winning veterans whose talents are on display in our favorite works, the common thread is a love for audio. While some of us are currently paused due to the pandemic, we can still share with and learn from one another. The CAS Quarterly hopes to be just one avenue to do this. With this in mind, we have some excellent insight coming your way this issue. Ever wonder about the sound for major broadcast awards shows? Steve Venezia CAS gives us an overview in his article "Sound Mixing for Live Awards Shows." On the topic of capturing lots of people live, Tod Maitland CAS shares his experience building the perfect sound cart for the upcoming Steven Spielberg-directed musical West Side Story. Patrick Spain CAS lays out some of the common approaches for recording dialogue for animation while Ben Adams shares his experience working on the production and post-production sides of a popular spatial audio/VR YouTube channel. G. John Garrett CAS interviews sound utility and CAS Associate Jenny Elsinger, and Devendra Cleary CAS shares some thoughts on the future of production sound in his opinion piece "How Will COVID-19 Change the Way We Mix Production?" Karol Urban CAS MPSE looks into the unique sound design tool Kyma through an interview with sound designer Sylvain Lasseur, and some of the post team from the TV show Treadstone discuss the challenges of creating a cinematic-quality mix on a TV schedule—and budget! As always, be sure to read about the happenings of your fellow members in the "Been There Done That" and "The Lighter Side" sections. Thank you to all of our contributors for volunteering their time and sharing their insights with us. If you're interested in contributing or have an idea for an article, let us know by emailing: CASQuarterly@ CinemaAudioSociety.org. Also, know that our sponsors are professionals like you who understand the business and the needs of our industry—even during these really crazy times. We encourage your commitment to them. Finally, thank you to all who are tending to the health, well-being, and safety of others and to those trying to find solutions for the numerous issues the pandemic is causing. Be sure to do your part and follow local social guidelines. Matt Foglia CAS