Issue link: https://digital.copcomm.com/i/1277777
2 P E R S P E C T I V E | S E P T E M B E R / O C T O B E R 2 0 2 0 Highlighting the Work of Future Designers Enhanced Reality The Grit and Beauty of New Mexico The One and Only Ivan Casinos and Cartels A Team of Superpowered Misfits Dynastic China on a New Zealand Backlot Drawing Cards from the Golden Age A F I 2 0 2 0 Pr o d u c t i o n D e s i g n S h o w c a s e by Joseph T. Garrity and Ernie Marjoram S p a c e Fo r c e by Susie Mancini, Production Designer B e t t e r C a l l S a u l by Paula Dal Santo and Mark Freeborn, Production Designers D e s i g n i n g f o r H y b r i d A n i m a t i o n by Molly Hughes, Production Designer O z a r k S e a s o n T h r e e by David Bomba, Production Designer T h e U m b r e l l a A c a d e m y by Mark Worthington, Production Designer M u l a n by Grant Major, Production Designer, Damien Drew and Mark Robins, Art Directors H o o r a y f o r H o l l y w o o d by Matthew Flood Ferguson, Production Designer CONTENTS ® 1 6 3 4 4 4 5 2 6 2 7 0 8 0 9 0 7 C O N T R I B U TO R S 1 2 E D I TO R' S N OT E 1 4 N E W S 1 0 0 P R O D U C T I O N D E S I G N 1 0 2 M E M B E R S H I P 1 0 4 R E S H O OT S ON THE COVER: SET STILL FROM HOLLYWOOD SHOWING THE SHOOTING OF THE HOLLYWOOD SIGN FOR THE SCRIPTED FILM MEG, SHOT ON STAGE 12 AT SUNSET GOWER STUDIOS. PRODUCTION DESIGN BY MATTHEW FLOOD FERGUSON, PHOTO BY DIRECTOR OF PHOTOGRAPHY SIMON DENNIS.