Computer Graphics World

Edition 2 2020

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e d i t i o n 2 , 2 0 2 0 c g w 1 departments on the cover Editor's Note SIGGRAPH "Thinks Beyond" the norm and revamps its annual conference and exhibition in this very unusual time – all the while incorporating nearly all the familiar elements into the virtual rendition. Making of a Legend Netflix turns the Arthurian myth on its head with a unique story that is augmented with enchanting visual effects. 2 8 C O M P U T E R G R A P H I C S W O R L D CGW features POSTMAGAZINE.COM See it in Post • J.J. Sedelmaier Productions: 30 years creating commercials & pop-culture classics • mixing sci-fi & satire for Amazon's Upload • stay in tune with the latest in Music Videos • Director David Fincher on Netflix's Mindhunter W H E R E T E C H N O L O G Y A N D TA L E N T M E E T S M www.postmagazine.com POST JULY/AUG 2020 MAKING MUSIC VIDEOS MUSHROOMHEAD, MACHINE GUN KELLY, DIPLO & MORE! PLUS: DAVID FINCHER'S MINDHUNTER UPLOAD DIRECTOR GREG DANIELS PIXAR'S SPARKSHORTS J.J. SEDELMAIER TURNS 30 Visit CGW.com for Web-only features and news. Plus, stay abreast of the latest industry changes and updates resulting from the COVID-19 epidemic. Education • Classroom Disrupted • Ahead of the Curve 56 Quest for Reality A primer on light field technology. 63 60 Hybrid Drama The Blacklist's out-of-the-box production strategy during the pandemic. Left Brain, Right Brain Animators use computer graphics to help explain complex medical concepts. 34 A Bedtime Story Filmmakers use VR to extend the world of the elemental spirits in "Myth: A Frozen Tale." 30 Spinning a Yarn Netflix's The Willoughbys – Not your typical tale. 50 Universal Scene Description Pixar does a deep dive into USD and its effect on content creation. 22 Igniting Passion Pixar's SparkShorts program gives employees the chance to bring their own animated short films to life. 16 Transcending Boundaries 41 Dark Days 45 Pre-production in Real Time 40 Working Together For M&E workstation performance, it's different strokes for different folks. 38 Spotlight 4

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