Post Magazine

January/February 2020

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Page 2 of 43 1 POST JAN/FEB 2020 SERVING THE INDUSTRY SINCE 1986 VOL 35 · NO. 1 WWW.POSTMAGAZINE.COM WEB EXCLUSIVES CAREERS: Unit Studios' colorist Nick Dalby (pictured) DIRECTOR'S CHAIR: Kate Woods directs Netflix's Messiah EDITING: Jeff Groth cuts Joker VFX: 1917's VFX supervisor Guillaume Rocheron • Cutting-edge visual effects reign supreme in streaming content • 'Realtime' is leaving its mark in industries other than gaming • Go behind the scenes as Pixar moves Onward • Primetime has never looked so good, thanks to digital technology • Step into VR and its 'Myth'-breaking endeavors ON OUR COVER DISNEY'S STAR WARS: THE RISE OF SKYWALKER DEPARTMENTS 2 EDITOR'S NOTE A new decade By Linda Romanello 2 THE ONLINE Filmmaking: awards & festivals By Marc Loftus 4 BITS & PIECES What's new in post production 10 STORAGE GALLERY Keeping tabs of the industry's latest news 12 PRIMETIME Fox's Empire By Linda Romanello 14 DIRECTOR'S CHAIR Tom Harper helms The Aeronauts By Iain Blair 36 SOUND LIBRARIES Some of the industry's latest news & collections 38 WORKFLOW Facilitating collaboration in a hybrid cloud world By Jay Migliaccio 40 PEOPLE Keeping tabs of the industry's movers & shakers 16 POSTING UNSCRIPTED TELEVISION Capturing & posting wild footage for unscripted adventure & expedition television By Linda Romanello 22 EDITING STAR WARS: THE RISE OF SKYWALKER Editor Maryann Brandon reunites with JJ Abrams to cut the VFX-heavy feature By Marc Loftus 26 LIONS AND TIGERS AND BEARS, OH MY! Dolittle's realistic talking animals blend naturally with the live-action cast By Karen Moltenbrey 30 GETTING YOUNGER VFX artists are applying new technology and techniques to create more youthful versions of lead characters By Barbara Robertson FEATURES Star Wars: The Rise Of Skywalker The Irishman 22 Expedition With Steve Backshall The Aeronauts 30 16 14

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