Animation Guild

Winter 2019

Animation Guild | We are 839 Digital Magazine

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48 KEYFRAME F E AT U R E BRAIN kicked off his career in animation in 1966, working in a myriad of positions including as an animator, storyboard artist, and timing director at Disney, Hanna- Barbera, Warner Bros., Cartoon Network, and more. BROWNING grew up in the industry—her mother owned an ink and paint shop. Over her career, she has worked as a painter, inker, final checker and animation checker at Hanna-Barbera, Animedia, and more, spending 21 years at Warner Bros. FISCHER started at Kim/ Gifford Animation in New York learning design, animation, storyboarding, writing, and editing. In the early 1970s, he started his own studio, producing and art directing commercials and trailers, and was a part of the 1971 Academy Award-winning short The Crunch Bird. After moving west, he worked at Disney, Warner Bros., Film Roman and more. Karl Fischer with his wife from left: Bob Foster, David Brain and Jan Browning

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