Issue link: https://digital.copcomm.com/i/1177962
lighting, hair, makeup, and settings. Quentin would shout-out during the fi lm when he saw something he loved. For me it was amazing to see how not-bad traffi c was, streets and freeways freely fl owing, and how very bad the smog was back then! A scouting wish list of the major areas of interest was quickly developed. Quentin is very quick to know what he likes and dislikes and had specifi cs he wanted to go after. He really keyed into Hollywood Boulevard, Sunset Boulevard and Westwood for the C "Movie Marquee" possibilities. He also loved the valley areas of Burbank, Riverside Drive and Van Nuys Boulevard. Hollywood Boulevard was the biggest hurdle due to the traffi c congestion, tourists mobbing the streets day and night, the number of vendors and building owners, and the fragility of the old facades. Rick Schuler and his team worked overtime to get paperwork going to present to the city and the chamber of commerce. A. SOUTH SIDE OF HOLLYWOOD BOULEVARD BEFORE. B. SOUTH SIDE OF HOLLYWOOD BOULEVARD PHOTOSHOP PREVIS SHOWING FACADES AND SIGNAGE. NATHAN SCHROEDER, ILLUSTRATOR. C. FACADE DETAILS FOR THE PUSSYCAT MARQUEE. D. PUSSYCAT MARQUEE. SET PHOTO. E. SIGNAGE LAYOUT. PEACHES STOREFRONT. B A