CineMontage

FOR YOUR EMMY CONSIDERATION OUTSTANDING SINGLE-CAMERA PICTURE EDITING FOR A LIMITED SERIES OR MOVIE TIM STREETO, ACE "LIFE IS A CABARET"

• Cover
• Post Script – Tomm Carroll
• From the National Executive Director – Cathy Repola
• Getting Organized – Rob Callahan
• Union Made by Andy Thomas
• East Coast Retirees Lunc heon photos by Sara Shatz
• West Coast Retirees Luncheon photos by Deverill Weekes
• This Quarter in Film History The Secret of Roan Inish (1994) by Edward Landler
• My Most Memorable Film:Ron Bochar on Angels in America (2003) by Peter Tonguette
• Pimp My Bay Scoring Mixer Phil McGowan'sHome Mixing Bay, Los Angeles photos by Wm. Stetz
• Spider-Man on Chemo Not All the Superheroics Wereon the Screen by Linda Sundlin
• "Meet Me at Musso's"Editors Recall Their Memories of Hollywood's Famed Drink-and-Eatery by Peter Tonguette
• Return Visit to Mars Sound Editor Walt Bost's Work Can Be Heard in Multiple Series by Edward Landler
• Send in the Clones The Joy of Editing Sex tuplets by Michael Goldman
• Going Mobile A Look Under the Hood ofHP's ZBook Studio x360 Convertible by Joseph Herman
• Cut/Print Writing for the Cut:Shaping Your Script for Cinemareview by Betsy A. McLane
• Labor Matters AFL-CIO Criticizes Activision CEO compiled by Jeff Burman
• In Memoriam
• Tail PopThe Fugitive (1993) by Susan Avallon