CineMontage

© 2018 UNIVERSAL STUDIOS universalpicturesawards.com "TECHNICALLY , THE FILM IS A MARVEL." VARIETY F O R Y O U R C O N S I D E R A T I O N BEST SOUND EDITING AI-LING LEE cas and MILDRED IATROU MORGA N BEST SOUND MIXING MARY H. ELLIS cas, JON TAYLOR cas, FRANK A. MONTAÑO and AI-LING LEE cas

• Cover
• Post Script – Tomm Carroll
• President's Message – Alan Heim, ACE
• Getting Organized – Rob Callahan
• Contractual Obligations –Scott George & Paul Moore
• Union Made by Christopher Kroll
• This Quarter in Film History Riot in Cell Block 11 (1954) by Edward Landler
• My Most Memorable Film: Tommy Vicari on Road to Perdition (2002) by Peter Tonguette
• The Sundance Kids Three Editors and Their Films Make Their Debuts in Park City by Joseph Herman
• Oscar's Digital Effects Master Technical Director Kenneth Shapiro Works His Magic by Laura Almo
• Duck Dynasty Editing the Fowl Play of Huey, Dewey, Louie and Company by Debra Kaufman
• Witch Doctors Sabrina's Sound Crew Casts Its Spell by Mel Lambert
• Motion Capture for the Masses iPi Soft Does Away with the MoCap Suit by Joseph Herman
• Cut/Print Working in Hollywood: How the Studio System Turned Creativity into Labor review by Betsy A. McLane
• Labor Matters Government Reopens But New Shutdown Looms compiled by Jeff Burman
• Tail Pop East of Eden (1955) by Jack Tucker, ACE