Location Managers Guild International

Summer 2018

The Location Managers Guild International (LMGI) is the largest organization of Location Managers and Location Scouts in the motion picture, television, commercial and print production industries. Their membership plays a vital role in the creativ

Issue link: http://digital.copcomm.com/i/996734

Contents of this Issue

Navigation

Page 30 of 63

LMGI COMPASS | Summer 2018 • 31 B ack in 2015, when no one had ever heard of a Netflix series called Stranger Things, location manager Tony Holley, LMGI and his team could work wherever they wanted without hassle. With the exception of Winona Ryder and David Harbour, the actors involved in this fantasy/ horror/drama series were totally unknown. Stranger Things was just another blip on the thriving Atlanta shooting scene. Flash-forward to today. Virtually, the whole cast has risen to superstar status. For Season 3, that means a huge increase in security, including innovative ways to avoid paparazzi, tourists and locals bent on uncovering Season 3's upcoming twists. "We had no idea what we were getting into," Holley admits about those long-gone early days. "Initially, it was all good because the scripts were so good, and the atmosphere on the set during the first season was always very pleasant. Then the bingeing occurred, and the wildfire started!" No one could have predicted that twin brothers, Matt and Ross Duffer, whose limited credits include writing a few epi- sodes of Wayward Pines, would hit on an irresistible premise. And yet, like all surprise successes, the success of Stranger Things really isn't so strange after all. It simply touched an unidentified nerve: nostalgia for the 1980s. All the buzz brought instant attention to Holley and KALM Kyle Carey, LMGI, who were nominated two years running for an LMGI Award for Outstanding Locations in Period TV. Last year, they lost out to The Crown and this year, to Game of Thrones. Trying to explain the series' remarkable popularity, Holley says, "Its viewing population is basically 18 to 44. (The Duffer brothers are 34.) A big chunk of those people grew up in the '80s. The show is a love letter to a generation. The fashions, music and even the way it's shot are in that mode of nostalgia." Executive producer Iain Paterson credits Holley with some of the success. "As a native Georgian, Tony brings an insider's knowledge of the Atlanta area that is unparalleled." All photos by Jackson Lee Davis/Netflix, except as noted. by Nancy Mills tt ON LOCATION STRANGER THINGS

Articles in this issue

Archives of this issue

view archives of Location Managers Guild International - Summer 2018