Animation Guild

Spring 2018

Animation Guild | We are 839 Digital Magazine

Issue link: http://digital.copcomm.com/i/990677

Contents of this Issue

Navigation

Page 39 of 47

F E AT U R E 40 KEYFRAME A BON VOYAGE TO FILMGOERS Story artist Chris Reccardi wrote, storyboarded and designed the film's 2D end credits, which Tartakovsky gave him carte blanche to do in the style of Saul Bass's iconic opening credits for The Pink Panther. "It's super fun to do the … kind of thing where you get to ignore normal continuity and mechanics, and just morph stuff from scene to scene." He says that once he got his rough storyboards approved, he designed the final key pose layouts "complete with tight 'thick and thin' ink lines" in a nod to the vintage United Productions of America [Toon Boom] animated designs. He says these were hand-drawn in StoryBoard Pro and PhotoShop before they were sent to be completed at animation house Rough Draft. "It's fun taking 3D characters and 'characaturing' them for 2D [because] you can take liberties," he says. Artwork by Scott Wills

Articles in this issue

Archives of this issue

view archives of Animation Guild - Spring 2018