CAS Quarterly

Spring 2018

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78 S P R I N G 2 0 1 8 C A S Q U A R T E R L Y Video assist Jesse Olivares, util- ity Tyler Blythe, production mixer John Pritchett CAS, and boom Dave Roberts pose on the set of The Avengers: Infinity War. Gary Rydstrom CAS is flanked by CAS Associate members Vanessa Ament and Stan Sollars in Ball State University's Department of Telecommunications Studio 2B, located in the school's David Letterman Communication and Media Building. The trio worked on a segment for a joint Turner Classic Movies and Ball State online class about movie musicals. Rydstrom also had a number of discussions with Ball State students about the industry and the creative processes involved in cinema sound design. "Here is Fernanado Delgado CAS with the other recent Full Sail Hall of Fame inductees!" Devendra Cleary CAS with some of the Grip and Camera Department rolling out for some motorcycle running shots. Photo by Abel Schiro Devendra Cleary CAS, Tanya Peel, and Michelle Guasto. Last day of Daddy Issues. Photo by John Tanzer Soundscape recording at Cottonwood Spring, Joshua Tree National Park. Dan Dugan CAS adds a height mic for Atmos to a Jecklin array. Wrapping up Venom in SF, from left: John Harton (utility), Ian Bender (boom operator), Tom Hardy (sound PA), Michael Koff CAS (mixer), Patrick Anderson (playback operator). A graduate in 1997, Fernanado Delgado CAS was inducted in to the Full Sail Hall of Fame!!! Brendan Beebe CAS, Peter Olsted, Rebecca Chan, and Jonathan Lallouz on the set of GLOW. Gary Rydstrom CAS, visited CAS Associate member Stan Sollars' cinema sound design class in Ball State University's David Letterman Communication and Media Building Studio 2A on April 3. Rydstrom had a conversation with the BSU Department of Telecommunications students about film sound design, sound effects creation, and re-recording mixes. Aron Siegel CAS (left) with Cress Williams as Black Lightning, and stunt double Eric Mbanda.

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