ADG Perspective

May-June 2018

Issue link: http://digital.copcomm.com/i/974985

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2 P E R S P E C T I V E | M A Y / J U N E 2 0 1 8 WHO'S TALKING IN THIS ISSUE Hannah Beachler, Production Designer of BLACK PANTHER – page 44 It was all poured into the mix to create something I believe in, that I wanted for my community—majesty and eloquence, representation and love. It was a full circle, the shape of life. Judy Becker, Production Designer of THE ASSASSINATION OF GIANNI VERSACE: AMERICAN CRIME STORY – page 63 Miami is hotter and more upside-down than any other place the production shot, or even any other place in America, and pink looms over everyone down there, from the homeless man sleeping at dawn to the businessman cruising at dusk. Doug Meerdink, Production Designer of THE CLOVERFIELD PARADOX – page 50 Build It and They Will Come…Since the script was "under construction" during preproduction, it became clear that our sets needed to serve the function of supporting a narrative, a director and a crew on a journey for which the map was still being drawn. As this was all outside, weather became the enemy. The winds and wild fires were raging. Like almost everywhere else in the Los Angeles area at that time, there was a light coating of ash on everything. All of the flocking used to look like snow was blowing off of the trees. Joe Celli, Production Designer of A CHRISTMAS STORY LIVE. page 76 And we have to teach our boys about respect and equality and dignity, and we have to teach our girls that they're worthy, and that they are the future. They are powerful, and this great union, the IATSE, is going to be part of the solution. Matthew Loeb, IATSE President, at the ADG Awards. page 17

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