Post Magazine

April 2018

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www.postmagazine.com 21 POST APRIL 2018 VFX FOR TELEVISION etworks, cable television and streaming programming platforms are all offering a rich pool of visual effects opportunities for studios across the globe. Whether it's a hitman turned hero who gets help from a CG sidekick, a retired superhero who recharges his powers to aid his community or the unraveling of decades-old mysteries and secrets in a small German town, studios around the world are boosting a slate of new shows with some serious VFX. VFX AND TELEVISION STUDIOS ARE GOING BIG FOR THE SMALL SCREEN BY CHRISTINE BUNISH N Netflix's Dark features VFX by Rise.

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