Issue link: http://digital.copcomm.com/i/933783
46 W I N T E R 2 0 1 8 C A S Q U A R T E R L Y of each other's organizational efforts and kit implementations. Inspiration, imitation, and imagination have always ensued. As creative as I like to be on my own, here we also include Amanda Beggs CAS and Danny Maurer for their organization perspective and innovation. FOLLOW CARTS After sharing progress photos back-and-forth with Amanda Beggs and then seeing her cart setups with my own eyes at the Mix's "Sound for Film" event at the Production Sound Pavilion at Sony, I wanted to reach out and gather her insights and photos to put on display here. She walks us through her system: "I use a Magliner Mini There are several reasons why a sound professional would want to be organized. It often starts with spring cleaning to an appreciation for the visual aesthetic. Then it morphs into pride in the accomplishment and then pride in one's tools. Then we begin realizing it's a great way to be maintaining your hard-earned inventory. But the biggest reason of all should be to encourage and reinforce efficiency. We have to move fast these days and the organization of our tools and accessories is essential to how fast we deploy and adapt to our production environment. Getting started can be like opening a can of worms in order to then better contain these released worms. It can lead you down a path of searching for new ways to organize your equipment, as well as moving toward full custom organization of your equipment. I have many colleagues whom I respect and admire. Over the years, we have traded photos by Devendra Cleary CAS, Amanda Beggs CAS, and Danny Maurer Let's Get Organized! Amanda Beggs CAS Devendra Cleary CAS Danny Maurer