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4 CINEMONTAGE / Q3 2017 CONTRIBUTORS Wm. Stetz ("The Del Spiva Experience" photography) is an award-winning director, photographer and designer. His photography recently won an American Aperture Award. He can be reached at bill@wmstetz.com. Martin Cohen's ("Transparent Ed- iting" photography) photographs have been published internation- ally and exhibited in major cities around the world. He can be contacted at martincohenphotog- raphy@gmail.com. Peter Tonguette ("My Most Memorable Film") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@aol.com. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.s.burman.57@ gmail.com. Edward Landler ("This Quarter in Film History") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Betsy A. McLane ("Cut / Print") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the execu- tive director of the International Documentary Association. betsy@ documentarydiva.com. For years as a still photographer, Deverill Weekes ("LA Retirees Luncheon" photography) has shot news, fashion and celebrity profiles. His photos have graced the covers and inside pages of international and national magazines. He can be contacted at deverill@earthlink.net. Joseph Herman ("Tech Tips") is a post-production professional, filmmaker, animator and artist. His work has appeared in films, commercials, promos and music videos. He currently operates his own creative studio, Legend Multimedia (www.legendmultimedia.com), and writes often about the industry. Reach him at joe@ legendmultimedia.com. Sarah Shatz ("East Coast Retirees Luncheon" photography) is a New York-based photographer and member of Local 600. She specializes in portraits, unit stills and behind-the-scenes for film, TV and commercials. www.sarah- shatz.com. Christopher Fragapane (cover photo) lives in Venice, California with his wife and daughter. He has worked as a photographer for nearly two decades in the enter- tainment and advertising fields for national and international clients, and can be contacted at christopherfragapane@gmail.com. Laura Almo ("Transparent Editing") is a writer and documentary film- maker. She teaches video editing at El Camino College in Torrance, Cali- fornia, and is a contributing editor at Documentary magazine. Contact her at lauraalmo@mac.com. A.J. Catoline ("Editors Guild Dedicates Ronald G. Kutak Board Room") is a picture editor who serves on the Editors Guild's Board of Directors. He can be reached at ajcatoline@gmail.com. Debra Kaufman ("Sound Supervising Battle of the Sexes") has been writing about film/TV technology and business for 25 years, for publications including The Hollywood Reporter, Variety and Wired. She also authors the MobilizedTV.com blog. Reach her at dkla99@verizon.net. Michael Goldman ("The Del Spiva Experience"), a longtime Hollywood journalist, was the former senior editor of Millimeter and is a contributor to American Cinematographer and many other publications. Contact him at michael.goldman@me.com. Mark Herman ("Union Made") is a visual effects editor with 15 feature credits, as well as Amazon's Man in the High Castle and ABC's Conviction. He is currently working on the Netflix series Lost in Space and can be reached at gotomh@gmail.com. Michelle Harrison ("Tail Pop") is a Los Angeles-based picture editor who works in features and television. She can be reached at michelleharrison.editor@gmail. com. Rob Callahan ("Getting Orga- nized") is the Motion Picture Editors Guild's National Organizer, based in Los Angeles. He can be reached at rcallahan@editorsguild. com.