CineMontage

Spring 2017

Issue link: http://digital.copcomm.com/i/832212

Contents of this Issue

Navigation

Page 5 of 95

4 CINEMONTAGE / Q2 2017 CONTRIBUTORS Wm. Stetz ("Cutting Comedy, Discussing Diversity" photogra- phy) is an award-winning director, photographer and designer. His photography recently won an American Aperture Award. He can be reached at bill@wmstetz.com. Martin Cohen's ("Welcome to the Soundscape of Westeros" pho- tography) photographs have been published internationally and exhibited in major cities around the world. He can be contacted at martincohenphotography@gmail. com. Peter Tonguette ("My Most Memorable Film") is a freelance writer whose work has appeared in The New York Times, The Wall Street Journal, Sight & Sound, Film Comment and Cineaste. He can be reached at tonguetteauthor2@aol.com. Jeff Burman ("Labor Matters") represents assistant editors on the Guild's Board of Directors. He can be reached at jeffrey.s.burman.57@ gmail.com. Edward Landler ("This Quarter in Film History") is a filmmaker, media educator and film historian. He made I Build the Tower, the de- finitive feature documentary on the Watts Towers, and is currently completing a cultural history of film. He can be reached at edlandler@roadrunner.com. Betsy A. McLane ("Lillian Benson: A Force of Nature with a Heart of Gold") is the author of A New History of Documentary Film: Second Edition. She served as the project director for the American Documentary Showcase, and was the executive director of the International Documentary Association. betsy@ documentarydiva.com. Joseph Herman ("Tech Tips") is a post-production professional, filmmaker, animator and artist. His work has appeared in films, commercials, promos and music videos. He currently operates his own creative studio, Legend Multimedia (www.legendmultimedia.com), and writes often about the industry. Reach him at joe@ legendmultimedia.com. Sarah Shatz (cover photography) is a New York-based photogra- pher and member of Local 600. She specializes in portraits, unit stills and behind-the-scenes for film, TV and commercials. www. sarahshatz.com. Rob Feld ("Leaving a Sonic Fin- gerprint") is a regular contributor to DGA Quarterly. His films have premiered at festivals like Tribeca, TIFF and Palm Springs. He directs branded content at award- winning agency Piro and teaches screenwriting at NYU. Contact him at raf301@nyu.edu. Mel Lambert ("Welcome to the Soundscape of Westeros") is inti- mately involved with production industries on both sides of the Atlantic. He is a 30-year member of the UK's National Union of Journalists. He can be reached at mel.lambert@content-creators.com. Laura Almo ("Some Words from Lillian's Devotees…") is a writer and documentary filmmaker. She teaches video editing at El Camino College in Torrance, California, and is a contributing editor at Docu- mentary magazine. Contact her at lauraalmo@mac.com. A.J. Catoline ("Cutting Comedy, Discussing Diversity") is a picture editor who serves on the Editors Guild's Board of Directors. He can be reached at ajcatoline@gmail. com. Molly Shock, ACE ("Flipping Reality"), serves on the Guild's Board of Directors representing picture editors. She has edited on over 40 different television shows and is a proud union member since 2010. Reach her at mollyshock@me.com. Steve Hullfish ("Three of a Kind on The Deuce") is the author of six books on post-production, including his latest, Art of the Cut: Conversations with Film and TV Editors. He can be reached at steve@hullfish.com. Maureen Foster ("Tail Pop") was a story analyst for Disney Studios from 1992 through 2004. She is the author of three novels, and is currently working on a book for McFarland & Co. on Jonathan Glazer's 2013 science fiction film Under the Skin. maureenjune- foster@gmail.com. Tony Donaldson ("Leaving a Sonic Fingerprint" photography) is a professional photographer based in LA. He has photo- graphed for outlets ranging from ESPN to The New York Times and more, and is also editor of Electric Bike Action magazine. tony@ tdphoto.com. A Texas transplant, Rachel Var- nell ("Union Made") is currently a visual effects assistant editor for Designated Survivor on ABC. She can be reached at rvarnell@ gmail.com.

Articles in this issue

Links on this page

Archives of this issue

view archives of CineMontage - Spring 2017